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Season 7, Episode 8: Ben Beard and Southern Cinema
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Manage episode 316697487 series 3021761
Ben Beard is a writer based in Chicago. He also loves film. He has written about civil rights and Muhammad Ali in the past, but his most recent book is The South Never Plays Itself: A Film Buff's Journey through the South on Screen.
Born and raised in the Deep South, Ben has been writing about movies for years. The South Never Plays Itself covers such well-known titles as Birth of a Nation and Cool Hand Luke, but also examines lesser known films such as God's Little Acre and the William Shatner vehicle, The Intruder. And it looks closely at pictures that are perhaps unappreciated, such as Driving Miss Daisy.
Ben also talks about his affinity for film critics Roger Ebert and Pauline Kael and how he manages to get writing done while holding down a full-time job.
200 tập
Series đã xóa ("Feed không hoạt động" status)
When? This feed was archived on March 09, 2024 22:10 (). Last successful fetch was on December 26, 2023 19:36 ()
Why? Feed không hoạt động status. Server của chúng tôi không thể lấy được feed hoạt động của podcast trong một khoảng thời gian.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 316697487 series 3021761
Ben Beard is a writer based in Chicago. He also loves film. He has written about civil rights and Muhammad Ali in the past, but his most recent book is The South Never Plays Itself: A Film Buff's Journey through the South on Screen.
Born and raised in the Deep South, Ben has been writing about movies for years. The South Never Plays Itself covers such well-known titles as Birth of a Nation and Cool Hand Luke, but also examines lesser known films such as God's Little Acre and the William Shatner vehicle, The Intruder. And it looks closely at pictures that are perhaps unappreciated, such as Driving Miss Daisy.
Ben also talks about his affinity for film critics Roger Ebert and Pauline Kael and how he manages to get writing done while holding down a full-time job.
200 tập
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