The Instrument of the Law – Episode 5 – Mad Scientists of Music

Mad Scientists of Music Documentary

This episode looks at how innovative new ways of making and distributing music are coming into conflict with our legal system. Some argue that copyright and patent laws, created to encourage innovation, are no longer in touch with how artists remix and reinterpret our cultural landscape.

Part 1 – Piracy

We learn about copyright law, the ‘copy left’ movement and new licensing schemes like Creative Commons. Eoin O’Dell corrects some common copyright misapprehensions, Ed Devane and Simon Kenny discuss their experiences having their music pirated. Niamh Houston (Chipzel) discusses how small Chiptune artists are challenged by ubiquitous piracy and major label plagiarism alike.

Part 2 – Sampling

Ewan Hennelly and Meljoann talk about the culture of sharing. MarQu and Meljoann describe about how ready access to the internet enabled them to learn techniques and exposed them to niche scenes that would have been unavailable historically; and how our always on, connected society is reshaping music. MarQu VR discusses the endemic and transformative use of samples in VJing and parody.

Part 3 – Illegal Art

Karakara (Kieran Dold) and Siam Collective (John Leech) discuss the idea of remixing as a crime and illegal art as a wilfully provocative act.

Featured Interviewees:

Eoin O’Dell, Colm Olwill (DJ PCP), Seb & Emma of Deathness Injection, Niamh De Barra, Simon Kenny (aka Bitwise Operator), Ed Devane, Meljoann, Ewan Hennelly (also known as HERV / ZPG), MarQu VR, Andrew Edgar, Kieran Dold (Karakara), Niamh Houston (Chipzel), John Leech (Siam Collective).

https://garethstack.com/wp-content/uploads/2014/06/mad-scientists-of-music-episode-5-the-instrument-of-the-law.mp3

Download:
Episode 5 – ‘The Instrument of the Law‘

About the Series

Mad Scientists of Music is a six part, BAI funded documentary series on Near FM. The show explores the world of Circuit Bending, Chip Tune, and Electroacoustic music in Ireland. Low cost technology, recycled instruments and a new attitude to tinkering embodied by the ‘maker movement’ are helping to reinvent music. A new generation of Irish musicians raised around computers, the internet and video gaming, see noise as something to be hacked, taken apart, and reconstructed. These artists build their own instruments, whether by recycling toy keyboards, modifying video game consoles, or attaching electronics to traditional stringed instruments. They often share their music online for free, and in doing so challenge our ideas about copyright and ownership. Their playful attitude to technology finds new uses for obsolete devices and brings the collaboration of musicianship to engineering and the arts.

Tracks used

Chipzel – Only Human Foilverb Remix (RoughSketch)
Karakara – Illeagle – Thesis Song
Karakara – Illeagle – You called it that
Karakara – Illeagle – God only knows
Karakara – Illeagle – Really
Karakara – Illeagle – In Light of your misleading

Lobat – my little droid needs a hand
Covox – Sunday – handheld electropop

Siam Collective – Melatronic Mission (unreleased rough mix)
Siam Collective – Meatloaf Madness (unreleased rough mix)
Siam Collective – Simpson Chemical (unreleased rough mix)