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A sampler of Darkroom's album Gravity's Dirty Work - a continuous edit from the tracks- strung with black nylon- baby armageddon- karhupuisto / beautiful retreat- a pair a partThe album is available on CD, double heavyweight vinyl or digital download fromhttp://darkroomtheband.bandcamp.com/album/gravitys-dirty-work"The Darkroom duo of Michael Bearp…
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A rehearsal recording from July 2013. This was intended to be the ambient start and ambient end of a 30 minute set, which would get noiser in the middle. The loopfest was to be the debut of Os's bass clarinet, and indeed this recording is the first published Darkroom recording featuring the bass clarinet. Let us know if you like it. Copyright 2013 …
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An excerpt from a rehearsal for Darkroom's forthcoming gig at Tuesdays Post. We were mainly testing that we could sync Mike's Timefactor pedal with the laptop, which generates the loop that you hear through most of this piece. The drums are from the modular. The bassline was added afterwards in the studio, by recording a clarinet loop and then trac…
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We’ve put most of our catalogue up on our Bandcamp page. Bandcamp is a great service that allows musicians to sell directly to their fans. It also offers downloads in much higher quality formats than other services - up to and including lossless formats such as FLAC, so for example you can now go and get Some Of These Numbers Mean Something in 24 b…
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This is a slightly processed/tweaked/warmed-up version of what Mike and I played at the start of the last section of the 1st July Improvizone gig (http://vimeo.com/5513010). Andy left the stage for a bit so it really was just a duo at that point (unlike what usually happens in these podcasts which is that I just leave Andy's playing out). Copyright…
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From the 25th March 2009 Improvione gig. This piece was shaping up quite nicely when Mike's RE-20 Space Echo pedal had a catastrophic failure and started producing a nasty click followed by screaming feedback - and not the good kind. Trumpeter Simon Taylor carried on gamely while Mike and I discussed what was going on but in the end we gave up on i…
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This material comes from the end of our November 2004 gig, where we supported Steve Harris's Zaum. We were joined by Peter Chilvers on bass and keyboards. The end of the gig was particularly magical, as Peter left the stage and went off to play the piano in the adjoining hall (the venue was a converted church, and the piano was in the more churchy …
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As you might guess from the title, this comes from the same Improvizone gig as the earlier iz20080528_0031resample track. Andrew Booker posted a different mix of this section, including the bass part, on the Improvizone site recently, and I encourage you to go and check that out as it's rather lovely (the track is called "Upload 2 from 2008-05-28 a…
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Apologies for the long delay between podcasts this time. My main excuse is that as of about two weeks ago I now have a baby boy on my hands. Expect to hear lots of cute baby gurgles on future podcasts. Anyway - this podcast is similar to the last, in that it consists of a semi-random ambient thing I left playing during a pause in a recent Improvizo…
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This comes from the May 23rd Improvizone performance at the Design Museum, London. The line-up was Os, Andrew Booker and Steve Lawson, but Mike was there in spirit since Os, without any keyboard to play, was spending half his time processing bits of Mike's guitar parts from the forthcoming album. We played pretty much constantly for 3 hours, except…
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In contrast to the ambient miniatures that have been the last few podcast episodes, here's an entire track from a recent gig (Croydon, 27/2/2008). We played 3 tracks (i.e. we stopped for applause 3 times - given that it was all improvised the concept of a track is moot) and this is the middle one. What you hear here is unedited but quite heavily mi…
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Hello, and welcome to the Darkroom podcast for February 26th 2008.We're breaking with tradition tonight by recording this introduction, rather than just giving you the music by itself. We're doing this because there's actually quite a lot going on in Darkroom-land right now, and we wanted to tell you about it.First, and most importantly, Darkroom h…
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We recently did some music for a BBC television news programme - read all about it on the darkroomtheband.net blog. This is the first of several sections that we're going to tidy up and post here. This one's brief was to be ominous and brooding - low hanging fruit for an ambient outfit like ourselves, but surprisingly hard to do when you only have …
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After something of a long break from the podcast, here's a bang-up-to-date rehearsal recording from yesterday (13th October 2007). We were rehearsing with an electronic drummer by the name of Andrew Booker, with whom we'll shortly be playing a number of gigs, including at the Improvizone nights (http://www.improvizone.com/) and at a loopfest in Nor…
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This track has its basis in the same session as the last episode (that of April 4th). It's been doubled-up in the studio and had another layer of keyboard added. This track is dedicated to Paul Needler and his Ambientia podcast, since he was kind enough to feature the music of Darkroom in a recent episode (see http://www.armsfullofsound.com/). Copy…
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I was listening back to some old recordings that had yet to be turned into anything, when this short section jumped out at me. It was recorded in a hotel room (rock and roll!) in Zürich - we were over for the '1st International Loopfestival Zürich' (http://www.loopfestival.com/) and were rehearsing for our performance there. The track sounds like i…
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Following on from the last episode, here's some more of what Mike and I got up to with Daryl Shawn. A little more edited than last time, and with some drums overlaid. Probably the least ambient thing on this podcast so far! Copyright 2007 Darkroom and Daryl Shawn. Composed and performed by Daryl Shawn, Michael Bearpark and Andrew Ostler.…
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More NINJAM-ing, this time using it to its full potential for long-distance collaboration. Mike and I (in the UK) jammed for an evening with acoustic guitarist Daryl Shawn (in Mexico). This episode is a slightly edited section from right at the start - Daryl had been up and running for a while, whereas Mike had just plugged in. More to follow! Copy…
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A section of an improvisation Mike and I did using NINJAM, a clever bit of software that lets musicians jam over the internet. (Some bass subsequently added in the studio.) This track is an audiophile's nightmare - the sections of audio that were transported over the net were Ogg Vorbis compressed; the whole jam was recorded to minidisc; and now yo…
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Finally, a track which is more than just a quick edit from a rehearsal recording. Though still based on material recorded in rehearsal (the "bass and meringue" session from May), this track adds layers of drums recorded way back in 2004. Copyright 2006 Darkroom. Original material composed and performed by Michael Bearpark and Andrew Ostler; drums b…
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The first part of a two part rehearsal extract from May 2006. This piece is driven by a nice bass pulse from about 2 minutes in. There are some sequenced-sounding elements but it's all guitar, processed live in Ableton Live. We were also trying out a new version of my alternating delay plug-in, 'Meringue'. Copyright 2006 Darkroom. Composed and perf…
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Recorded in a rehearsal session 11th May 2006. What you are hearing is Mike's guitar being processed and looped live by Os's laptop. Despite the elapsed time since the original two 'calling cards' were recorded (almost a year), this seems to fit very nicely alongside them, hence the name. Software: Ableton Live, Expert Sleepers Augustus Loop. Copyr…
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