2 of his famous quotes and a bit about why he still is relevant to us. Cover art photo provided by JJ Jordan on Unsplash: https://unsplash.com/@jjjordan
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Antony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Life of Marcus Antonius and follows the relationship between Cleopatra and Mark Antony from the time of the Parthian War to Cleopatra's suicide. The major antagonist is Octavius Caesar, one of Antony's fellow triumviri and the future first emperor of Rome. The trag ...
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Will@Warwick - a podcast featuring the latest academic insight into the work of William Shakespeare.
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The Tragedy of Julius Caesar by William Shakespeare Act III, Scene II (The funeral speeches)
Kate Corsi
This podcast examines Brutus and Mark Antony's speeches
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Despite its optimistic title, Shakespeare's All's Well That Ends Well has often been considered a "problem play." Ostensibly a comedy, the play also has fairy tale elements, as it focuses on Helena, a virtuous orphan, who loves Bertram, the haughty son of her protectress, the Countess of Rousillon. When Bertram, desperate for adventure, leaves Rousillon to serve in the King's army, Helena pursues him.
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The Tragedy of King Richard II, by William Shakespeare, is the first of the history series that continues with Parts 1 and 2 of King Henry IV and with The Life of King Henry V. At the beginning of the play, Richard II banishes his cousin Henry Bolingbroke from England. Bolingbroke later returns with an army and the support of some of the nobility, and he deposes Richard. Richard is separated from his beloved Queen, imprisoned, and later murdered. By the end of the play, Bolingbroke has been ...
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Banished from his own lands by a usurping brother, Prospero and his daughter Miranda have been living on a deserted island for years, until fate brings the brother within the range of Prospero's powers. Will he seek revenge, or reconcilement?
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Henry VI, Part 1 is a history play by William Shakespeare, believed to have been written in 1591, and set during the lifetime of King Henry VI of England. Whereas 2 Henry VI deals with the King's inability to quell the bickering of his nobles, and the inevitability of armed conflict, and 3 Henry VI deals with the horrors of that conflict, 1 Henry VI deals with the loss of England's French territories and the political machinations leading up to the Wars of the Roses, as the English political ...
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Summer nights, romance, music, comedy, pairs of lovers who have yet to confess their feelings to each other, comedy and more than a touch of magic are all woven into one of Shakespeare's most delightful and ethereal creations – A Midsummer Night's Dream. The plot is as light and enchanting as the settings themselves. The Duke of Athens is busy with preparations for his forthcoming wedding to Hippolyta the Amazonian Queen. In the midst of this, Egeus, an Athenian aristocrat marches in, flanke ...
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In a tiny French dukedom, a younger brother usurps his elder brother's throne. Duke Senior is banished to the Forest of Arden along with his faithful retainers, leaving his lovely daughter Rosalind behind to serve as a companion for the usurper's daughter, Celia. However, the outspoken Rosalind soon earns her uncle's wrath and is also condemned to exile. The two cousins decide to flee together and join Duke Senior in the forest. Meanwhile, a young nobleman, Orlando is thrown out of his home ...
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In seventeenth century Venice, a wealthy and debauched man discovers that the woman he is infatuated with is secretly married to a Moorish general in the Venetian army. He shares his grief and rage with a lowly ensign in the army who also has reason to hate the general for promoting a younger man above him. The villainous ensign now plots to destroy the noble general in a diabolical scheme of jealousy, paranoia and murder, set against the backdrop of the bloody Turkish-Venetian wars. This ti ...
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Sebastian Michael, author of The Sonneteer and several other plays and books, looks at each of William Shakespeare's 154 Sonnets in the originally published sequence, giving detailed explanations and looking out for what the words themselves tell us about the great poet and playwright, about the Fair Youth and the Dark Lady, and about their complex and fascinating relationships. Podcast transcripts, the sonnets, contact details and full info at https://www.sonnetcast.com
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Sonnet 120: That You Were Once Unkind Befriends Me Now
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37:57With Sonnet 120 William Shakespeare draws a line under the explanations and excuses offered throughout the previous three sonnets for his own infidelities in relation to his young man, and simply reminds himself now of how awful he felt when his lover treated him in a similar way on those occasions when it was him who was sleeping around with other…
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Sonnet 119: What Potions Have I Drunk of Siren Tears
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28:11With Sonnet 119, William Shakespeare further elaborates on his metaphor, introduced in Sonnet 118, of having taken bitter medicines to prevent himself from ever getting sick of his younger lover, these potions having been affairs, encounters, or even relationships of sorts with other people. Who these other people were he still doesn't tell us, but…
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Sonnet 118: Like as to Make Our Appetites More Keen
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24:47Sonnet 118 continues William Shakespeare's defence or explanation of his infidelities towards his younger lover with an argument that may well strike us as similarly spurious as the one deployed in Sonnet 117, even though unlike the previous poem, this one possesses an internal logic that allows him to come to a conclusion which does make some sens…
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Sonnet 117: Accuse Me Thus, That I Have Scanted All
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32:59Sonnet 117 is the first of three distinct but related sonnets that all seek to excuse, or at the very least explain, Shakespeare's own infidelities and inconstancies, first confessed to his lover in Sonnet 109 and, most directly, in Sonnet 110. Here, our poet lists a whole raft of failings on his part in his conduct towards his young man, and posit…
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Sonnet 116: Let Me Not to the Marriage of True Minds
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29:33With his celebrated and oft-recited Sonnet 116, William Shakespeare offers not so much a definition as a characterisation of what true love is: unshakeable and unaffected by external changes or temptations, steady and dependable as a lodestar in the darkest, stormiest hour, and everlasting "even to the edge of doom." With its religious overtones th…
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Sonnet 115: Those Lines That I Before Have Writ Do Lie
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28:26With Sonnet 115 William Shakespeare turns his attention to the perplexing paradox that a love that is experienced as complete and absolute and therefore perfect, such as his love for his young man, may turn out, over time, to have been but a fledgling infant compared to the even fuller, more profound, more mature love that it has the potential to g…
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Sonnet 114: Or Whether Doth My Mind, Being Crowned With You
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35:51With his curiously cryptic Sonnet 114, William Shakespeare poses a rhetorical question to his younger lover, asking whether his experience of seeing him in everything he looks at is down simply to his eye flattering him, or to his eye having acquired the ancient mystical art of alchemy and actually turning even ugly creatures into beautiful angelic…
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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Sonnet 113: Since I Left You, Mine Eye Is in My Mind
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26:49With Sonnet 113, William Shakespeare returns once more to the theme of separation, reflecting on how, when he is away from his younger lover, everything he sees takes on his lover's shape and thus reminds him of him. Although we don't know when exactly the sonnet was written and therefore where precisely in the collection it belongs, it would appea…
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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More great books at LoyalBooks.comBởi William Shakespeare
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Sonnet 112: Your Love and Pity Doth th'Impression Fill
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34:59With Sonnet 112, William Shakespeare picks up directly from Sonnet 111 in which he asked his younger lover to pity him, and he now goes one step further by telling him that it is his, the young man's, opinion – and his opinion only – that should ever matter to Shakespeare, because not only is the young man, as Sonnets 109 and 110 expressed, his "ho…
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Sonnet 111: O For My Sake Do You With Fortune Chide
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22:26With Sonnet 111, William Shakespeare shifts focus from his infidelities in relation to his younger lover, addressed in the previous two sonnets, to a general deficiency in his reputation, which he blames squarely on the fact that his circumstances require him to earn a living in the public sphere. This, he claims, has led him to acquire the conduct…
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Sonnet 110: Alas, 'Tis True, I Have Gone Here and There
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31:53With his exceptionally candid and forthright Sonnet 110, William Shakespeare at once completes his apotheosis of his young lover, while at the same time confessing to him that yes, he too has had affairs with other people, but also reassuring him that these other lovers were no match for him and that they pale, compared to him, into insignificance,…
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Sonnet 109: O Never Say That I Was False of Heart
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29:44Sonnet 109 is the first of two truly remarkable sonnets that speak of William Shakespeare's own infidelities towards his young lover during a period of prolonged absence. Although they do not form a strictly tied pair, together these two poems position our poet and his relationship in an entirely new light, because they for the first time genuinely…
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Sonnet 108: What's in the Brain That Ink May Character
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29:25With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is…
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Sonnet 107: Not Mine Own Fears, Nor the Prophetic Soul
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39:42Of all the poems in the collection first published in 1609, Sonnet 107 most clearly and most compellingly seems to refer to external events that shape Shakespeare's world. Because of this, it takes up a pivotal position in the canon, since it may therein hold clues to both its date of composition and to the person it is addressed to. And while ther…
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Sonnet 106: When in the Chronicle of Wasted Time
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29:32Sonnet 106 sees Shakespeare return to eulogising his young lover in outwardly straightforward terms. And rather than looking ahead to times to come when his poetry will continue to pay tribute to his love long after both he and his lover have gone, as several of the other sonnets have done, he here casts his eye back to the past through the lens of…
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Sonnet 105: Let Not My Love Be Called Idolatry
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24:49Sonnet 105 presents a playful paradox that is no doubt fully intended on William Shakespeare's part. Addressing, for a change, not his young lover directly, but speaking to the world in general about him and about his love for him, he tells us that we should not see, and in seeing so by implication judge, this love as the worship of a human and the…
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Sonnet 104: To Me, Fair Friend, You Never Can Be Old
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33:31With his celebrated and much-debated Sonnet 104, William Shakespeare appears to set out to do primarily three things: first and foremost, to reassure his young lover that even now, after some appreciable time has passed since they first met, he, the young lover, is still as beautiful to him, our poet, as he was on the very first day; in other words…
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Sonnet 103: Alack, What Poverty My Muse Brings Forth
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24:01Sonnet 103 is the fourth and last in this group of four sonnets with which William Shakespeare seeks to excuse himself for not writing more poetry to, for, or about his young lover lately. Like the first two in the group, Sonnets 100 & 101 – which are so closely linked that we may treat them as a pair – this sonnet also references the poet's Muse, …
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Sonnet 102: My Love Is Strengthened Though More Weak in Seeming
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29:31With Sonnet 102, William Shakespeare returns to addressing his young lover directly, though still in explanation and indeed defence of the extended period of silence of which Sonnets 100 & 101 spoke, both of which were addressed to his own Muse, admonishing her for her absence. In contrast to those two poems, Sonnet 102 takes full responsibility fo…
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Sonnet 101: O Truant Muse, What Shall Be Thy Amends
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28:32Although at first glance Sonnet 101 can stand on its own, it so closely connects to Sonnet 100 that it really in all likelihood should be considered to form with it a pair within this group of four sonnets that they are both part of. Like Sonnet 100, it addresses itself to Shakespeare's Muse – his poetic inspiration – in a series of rhetorical ques…
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Sonnet 100: Where Art Thou, Muse, That Thou Forgetst So Long
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31:58Sonnet 100 is the first in a group of four sonnets that speak of a hiatus in Shakespeare's poetry writing to his young lover. In the collection first published in 1609, this follows Sonnets 97 and 98, which both highlight an absence from the young man that has felt to Shakespeare like winter, with Sonnet 99 acting as something of a bridge between t…
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Special Guest: Professor David Crystal – Original Pronunciation (OP)
1:21:46
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1:21:46In this special episode, Professor David Crystal OBE, one of the world's leading linguists with over 100 books to his name and a global reputation as a writer and lecturer on Early Modern English, talks to Sebastian Michael about Original Pronunciation (OP) – the way William Shakespeare and his contemporaries would have pronounced English at the ti…
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Sonnet 99: The Forward Violet Thus Did I Chide
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39:26In the collection of 154 sonnets by William Shakespeare published in 1609, Sonnet 99 is unique for two reasons that are possibly related: it is the only sonnet to consist of 15 lines instead of the usual 14, and it is the only sonnet that leans directly on a known source and can therefore be said to be a more or less direct reworking of an existing…
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Sonnet 98: From You Have I Been Absent in the Spring
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29:57When Sonnet 97 spoke of an absence from his lover that felt to Shakespeare "like a winter" even though it actually took place during the summer and/or autumn, Sonnet 98 speaks of either the same or a similar absence that took place during the springtime in April, which, however, on account of not having his lover around, to Shakespeare also seemed …
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Sonnet 97: How Like a Winter Hath My Absence Been
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25:38Sonnet 97 ushers in a new phase in the relationship between William Shakespeare and his young lover, which, following the upheaval, anguish, doubt, and direct criticism of the young man contained in the group that immediately precedes it, comes across as a series of almost serene reflections first, once again, on a period of separation in this sonn…
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Special Guest: Professor Abigail Rokison-Woodall – Speaking Shakespeare
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51:48In this special episode, Abigail Rokison-Woodall, Deputy Director (Education) and Associate Professor in Shakespeare and Theatre at The Shakespeare Institute, University of Birmingham, UK, talks to Sebastian Michael about the challenges – and joys – of speaking verse in general and Shakespearean verse in particular: how do we do his language justic…
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Sonnet 96: Some Say Thy Fault Is Youth, Some Wantonness
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26:09With Sonnet 96 William Shakespeare concludes the extraordinary group of sonnets that deal with his young lover's infidelity. Easing off on the harsh criticism of the young man's behaviour voiced in Sonnet 95, he here brings in a new conciliatory tone which acknowledges that the young man's powers of attracting other people are great and that he cou…
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Sonnet 95: How Sweet and Lovely Dost Thou Make the Shame
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27:04With his astoundingly forthright Sonnet 95, William Shakespeare admonishes his young lover in the most uncompromising terms yet, and he rounds off his salvo with another stern warning that even someone as privileged and exalted as he can go too far. It forms the culmination of a progression in tone and stance that has been underway since Sonnet 87,…
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