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Ana Vidović on Prodigies, Performance, and Perseverance

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Manage episode 317350750 series 88896
Content provided by Conversations with Tyler and Mercatus Center at George Mason University. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Conversations with Tyler and Mercatus Center at George Mason University or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Is genius born or made? For Croatian-born classical guitarist Ana Vidović the answer is both. Born into a musical family, she began playing guitar at five and was quickly considered a prodigy. But she’s seen first-hand how that label can trap young talents into complacency, stifling their full development. She’s also had to navigate changing business models and new technologies, learning for instance how to balance an online presence with her love of performing for live audiences.

She joined Tyler to discuss that transition from prodigy to touring musician and more, including how Bach challenges her to become a better musician, the most difficult piece in guitar repertoire, the composers she wish had written for classical guitar, the Beatles songs she’d most like to transcribe, why it’s important to study a score before touching the guitar, the reason she won’t practice more than seven hours per day, how she prevents mistakes during performances, what she looks for in young classical guitarists, why she doesn’t have much music on streaming services, how the pandemic has changed audiences, why she stopped doing competitions early on, what she’d change about conservatory education for classical guitarists, her favorite electric guitarists, her love of Croatian pop music, the benefits and drawbacks of YouTube for young musicians, and what she’ll do next.

Read a full transcript enhanced with helpful links.

Recorded December 27th, 2021

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223 episodes

Artwork
iconShare
 
Manage episode 317350750 series 88896
Content provided by Conversations with Tyler and Mercatus Center at George Mason University. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Conversations with Tyler and Mercatus Center at George Mason University or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Is genius born or made? For Croatian-born classical guitarist Ana Vidović the answer is both. Born into a musical family, she began playing guitar at five and was quickly considered a prodigy. But she’s seen first-hand how that label can trap young talents into complacency, stifling their full development. She’s also had to navigate changing business models and new technologies, learning for instance how to balance an online presence with her love of performing for live audiences.

She joined Tyler to discuss that transition from prodigy to touring musician and more, including how Bach challenges her to become a better musician, the most difficult piece in guitar repertoire, the composers she wish had written for classical guitar, the Beatles songs she’d most like to transcribe, why it’s important to study a score before touching the guitar, the reason she won’t practice more than seven hours per day, how she prevents mistakes during performances, what she looks for in young classical guitarists, why she doesn’t have much music on streaming services, how the pandemic has changed audiences, why she stopped doing competitions early on, what she’d change about conservatory education for classical guitarists, her favorite electric guitarists, her love of Croatian pop music, the benefits and drawbacks of YouTube for young musicians, and what she’ll do next.

Read a full transcript enhanced with helpful links.

Recorded December 27th, 2021

Other ways to connect

  continue reading

223 episodes

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