Artwork

Nội dung được cung cấp bởi Post New York Alliance. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Post New York Alliance hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Turnover To Picture

 
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Manage episode 206265385 series 1238451
Nội dung được cung cấp bởi Post New York Alliance. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Post New York Alliance hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

TURNOVER TO PICTURE

TECHNICOLOR POSTWORKS NEW YORK

110 LEROY STREET

NEW YORK, NY 10014
THEATRE

OCTOBER 14, 2014 @ 7PM


Following the success our recent Turnover To Sound event, PNYA is holding the second in the series, this time covering picture turnover on October 14, at PostWorks New York.

The workshop will cover picture turnover from editorial to a picture finishing/ DI department. Seating in the theatre for this event again is limited, so please RSVP to seminars@postnewyork.org to avoid disappointment. Seats will be allocated on a first-come basis.

Speakers this evening are:

Ian Blume has worked in feature film postproduction for 15 years, spanning such films as CHOCOLAT, DOUBT and THE BOURNE LEGACY.

A graduate of Emerson College (Film Studies, 99), he started out in NYC by building a strong foundation at Sound One. There he established close ties in the industry, and quickly became part of a tightly knit family.

Ian has climbed the ranks as an assistant editor, working on 14 features of all budget levels, in the US and abroad. He has collaborated with many top-tier, award-winning editors, directors, writers and producers, and accumulated valuable experience, technique and guidance from all of them.

Ian is currently working as editor on his 2nd narrative feature film, DRAWING HOME.

Matthew Schneider leads the research and workflow development effort at Technicolor - PostWorks through the Test Lab. He assists clients in workflow design and implementation, and other issues related to digital camera systems and formats. He also serves as liaison to Avid and other technology manufacturers to assist in product development and customer support.

Prior to joining Technicolor - PostWorks New York in 2003, Schneider worked as a support engineer for Avid Technology, where he assisted with large-scale broadcast network deployments, and workflow design for feature film and television clients. He is an active member of SMPTE New York and the Sony Cine-Alta User Group.

Ben Baker has been across a broad range of US and UK studio and independent films as an executive producer, post supervisor, project consultant, workflow designer and manager, in areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of entire project, from development to distribution. He lived in the UK for 10 years and ran the Digital Lab at Framestore during that time. He now resides in New York.

The workshop is free for members- non members can sign up on the night!

  continue reading

70 tập

Artwork
iconChia sẻ
 
Manage episode 206265385 series 1238451
Nội dung được cung cấp bởi Post New York Alliance. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Post New York Alliance hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

TURNOVER TO PICTURE

TECHNICOLOR POSTWORKS NEW YORK

110 LEROY STREET

NEW YORK, NY 10014
THEATRE

OCTOBER 14, 2014 @ 7PM


Following the success our recent Turnover To Sound event, PNYA is holding the second in the series, this time covering picture turnover on October 14, at PostWorks New York.

The workshop will cover picture turnover from editorial to a picture finishing/ DI department. Seating in the theatre for this event again is limited, so please RSVP to seminars@postnewyork.org to avoid disappointment. Seats will be allocated on a first-come basis.

Speakers this evening are:

Ian Blume has worked in feature film postproduction for 15 years, spanning such films as CHOCOLAT, DOUBT and THE BOURNE LEGACY.

A graduate of Emerson College (Film Studies, 99), he started out in NYC by building a strong foundation at Sound One. There he established close ties in the industry, and quickly became part of a tightly knit family.

Ian has climbed the ranks as an assistant editor, working on 14 features of all budget levels, in the US and abroad. He has collaborated with many top-tier, award-winning editors, directors, writers and producers, and accumulated valuable experience, technique and guidance from all of them.

Ian is currently working as editor on his 2nd narrative feature film, DRAWING HOME.

Matthew Schneider leads the research and workflow development effort at Technicolor - PostWorks through the Test Lab. He assists clients in workflow design and implementation, and other issues related to digital camera systems and formats. He also serves as liaison to Avid and other technology manufacturers to assist in product development and customer support.

Prior to joining Technicolor - PostWorks New York in 2003, Schneider worked as a support engineer for Avid Technology, where he assisted with large-scale broadcast network deployments, and workflow design for feature film and television clients. He is an active member of SMPTE New York and the Sony Cine-Alta User Group.

Ben Baker has been across a broad range of US and UK studio and independent films as an executive producer, post supervisor, project consultant, workflow designer and manager, in areas as diverse as on location dailies and editorial for digital cinematography, high-end digital intermediate mastering, feature film restoration and digital asset management over the life-cycle of entire project, from development to distribution. He lived in the UK for 10 years and ran the Digital Lab at Framestore during that time. He now resides in New York.

The workshop is free for members- non members can sign up on the night!

  continue reading

70 tập

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