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Nội dung được cung cấp bởi Joshua Weilerstein. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Joshua Weilerstein hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Pavel Haas, Symphony

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Manage episode 352288618 series 1403773
Nội dung được cung cấp bởi Joshua Weilerstein. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Joshua Weilerstein hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

This February, I have the great honor of joining the Indianapolis Symphony for the North American premiere of Pavel Haas’ remarkable unfinished symphony. Pavel Haas, a Czech Jewish composer, wrote the existing music for his symphony between 1940 and 1941 before his deportation to the Terezin ghetto/concentration camp. He was a full participant in the well known cultural activities of the camp, but was unable to complete the symphony before he was murdered in Auschwitz in 1944. What Haas did manage to complete is not just a piece that is worth hearing as a historical curiosity, but is one of the towering testaments of both the time in which it was written, and of the unique and innovative Czech symphonic tradition. We are left with 1 fully completed movement, one fully sketched movement, and a "torso" of a third movement. The symphony was completed by the Czech composer Zdenek Zouhar after World War II.

The story of Haas’ death, which we will learn about on the show today is, of course, devastating. Hearing his music reminds all of us of the individual voices that we have lost. The voices of the 6 million Jews, and 6 million others whom the Nazis murdered. But this music also reminds us of the proof that Pavel Haas lived. Haas was one of the truly unique composers of the 20th century, and while his tragic story cannot be detached from his music, the music itself transcends its time and acquires the universality of all great music. It Is truly an honor to be bringing this music to the North American stage for the first time, and at a time of rising Anti-Semitism around the world, I hope that his story, his music, and his voice, will reach far and wide. Join me to learn about this remarkable work.

  continue reading

372 tập

Artwork
iconChia sẻ
 
Manage episode 352288618 series 1403773
Nội dung được cung cấp bởi Joshua Weilerstein. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Joshua Weilerstein hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

This February, I have the great honor of joining the Indianapolis Symphony for the North American premiere of Pavel Haas’ remarkable unfinished symphony. Pavel Haas, a Czech Jewish composer, wrote the existing music for his symphony between 1940 and 1941 before his deportation to the Terezin ghetto/concentration camp. He was a full participant in the well known cultural activities of the camp, but was unable to complete the symphony before he was murdered in Auschwitz in 1944. What Haas did manage to complete is not just a piece that is worth hearing as a historical curiosity, but is one of the towering testaments of both the time in which it was written, and of the unique and innovative Czech symphonic tradition. We are left with 1 fully completed movement, one fully sketched movement, and a "torso" of a third movement. The symphony was completed by the Czech composer Zdenek Zouhar after World War II.

The story of Haas’ death, which we will learn about on the show today is, of course, devastating. Hearing his music reminds all of us of the individual voices that we have lost. The voices of the 6 million Jews, and 6 million others whom the Nazis murdered. But this music also reminds us of the proof that Pavel Haas lived. Haas was one of the truly unique composers of the 20th century, and while his tragic story cannot be detached from his music, the music itself transcends its time and acquires the universality of all great music. It Is truly an honor to be bringing this music to the North American stage for the first time, and at a time of rising Anti-Semitism around the world, I hope that his story, his music, and his voice, will reach far and wide. Join me to learn about this remarkable work.

  continue reading

372 tập

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