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Nội dung được cung cấp bởi Film Comment and Film Comment Magazine. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Film Comment and Film Comment Magazine hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Making Movies in Prison, with Rahsaan Thomas and Thanh Tran

48:32
 
Chia sẻ
 

Manage episode 429219169 series 115441
Nội dung được cung cấp bởi Film Comment and Film Comment Magazine. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Film Comment and Film Comment Magazine hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
In April, Film Comment published an article by Phillip Vance Smith II, titled “Streaming Behind Bars.” Phillip is an incarcerated writer, and his piece delves into the ways in which people in prison watch movies—the technology they’re able to use, the programming they can access, and the exorbitant costs involved. That piece was facilitated by Empowerment Avenue, an organization that supports incarcerated artists and writers. Empowerment Ave was founded by Rahsaan Thomas, a journalist who launched the initiative while he was himself in prison. Rahsaan is also an award-winning filmmaker who started making movies while he was behind bars—and now works with other incarcerated and system-impacted filmmakers to help them tell their stories. On today’s episode, Film Comment Editors Devika Girish and Clinton Krute are joined by Rahsaan and fellow filmmaker and organizer Thanh Tran, who also started making films while incarcerated at San Quentin Rehabilitation Center in Northern California. The two of them share insights from their experience of directing films while imprisoned—the resources that made it possible, the unique challenges they faced, and why they felt it was important for them to take their narratives into their own hands. They also discuss Rahsaan’s short film Friendly Signs, currently making its way around the festival circuit, Thanh’s in-production documentary, Finding Ma, and the upcoming San Quentin Film Festival, which is being organized by Rahsaan and will take place at the prison.
  continue reading

519 tập

Artwork
iconChia sẻ
 
Manage episode 429219169 series 115441
Nội dung được cung cấp bởi Film Comment and Film Comment Magazine. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Film Comment and Film Comment Magazine hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
In April, Film Comment published an article by Phillip Vance Smith II, titled “Streaming Behind Bars.” Phillip is an incarcerated writer, and his piece delves into the ways in which people in prison watch movies—the technology they’re able to use, the programming they can access, and the exorbitant costs involved. That piece was facilitated by Empowerment Avenue, an organization that supports incarcerated artists and writers. Empowerment Ave was founded by Rahsaan Thomas, a journalist who launched the initiative while he was himself in prison. Rahsaan is also an award-winning filmmaker who started making movies while he was behind bars—and now works with other incarcerated and system-impacted filmmakers to help them tell their stories. On today’s episode, Film Comment Editors Devika Girish and Clinton Krute are joined by Rahsaan and fellow filmmaker and organizer Thanh Tran, who also started making films while incarcerated at San Quentin Rehabilitation Center in Northern California. The two of them share insights from their experience of directing films while imprisoned—the resources that made it possible, the unique challenges they faced, and why they felt it was important for them to take their narratives into their own hands. They also discuss Rahsaan’s short film Friendly Signs, currently making its way around the festival circuit, Thanh’s in-production documentary, Finding Ma, and the upcoming San Quentin Film Festival, which is being organized by Rahsaan and will take place at the prison.
  continue reading

519 tập

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