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In his book, On the Shores of Politics, Jacques Ranciere argues that the Western Platonic project of utopian politics has been based upon 'an anti-maritime polemic'. The treacherous boundaries of the political are imagined as island shores, riverbanks, and abysses. Its enemies are the mutinous waves and the drunken sailor. 'In order to save politics', writes Ranciere, 'it must be pulled aground among the shepherds'. And yet, as Ranciere points out, this always entails the paradox that to fou ...
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Occasionally an adventure-minded leader would suggest building long ropes to climb up to Ingle-Land. Shamans suggested the entire earth was rotten, and that they would be climbing from one hell, to an identical or worse facsimile. People liked the word facsimile. They no longer new what it meant, exactly, but took solace in fragments of their share…
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Young and old toiled together, and though teeth did rot, no one was unemployed, given work had once more come to mean daily survival. After the Black Rains, the insects were first to die. Then the fish. There was a stay of execution for six months, when turnips would still grow. In turnips we trust. Then all was barren. Written by Hugh Dichmont New…
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The automated security turrets, forged in cement and steel by his majesty’s government to keep the county’s people in, now inadvertently kept the desperate hordes out, as civil war broke throughout the rest of the England- the cracks of gunfire like distant fireworks as Ilkeston burned itself to the ground. Written by Hugh Dichmont New edit release…
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After the Prime Minister’s death on the 15th of May, ethnic tensions grew in England. Their landslide re-election, coming only days before, had stoked protest among Nottinghamshire dissidents, who used the legacy of Yorkshire’s devolution to once more demand the status of a republic. Written by Hugh Dichmont. New edit released 21st April 2020…
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This lecture examines poems which make reference to the Shipping Forecast, as broadcast by BBC Radio Four, including poems by Seamus Heaney, Carol Ann Duffy, Sean Street, Andrew McNeillie, and Andrew Waterman. The aim of the lecture is to consider how both the radio broadcast and the poems it inspired conceptualise the cultural geography of the Bri…
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This presentation looks at the relationship between England and the British discipline of English Literature, whose origin, it argues, owes much to the state unification of Britain between 1790 and 1815, particularly informed by an anti-French-Revolutionary Burkean philosophy which was defined by opposition to a written constitution, and by opposit…
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The relationship between the poetic and the national is crucial to how war poetry is perceived and interpreted. This essay looks at Second World War (and wartime) poetry from Scotland, Northern Ireland and the Republic of Ireland, and in particular at images of absence, cancellation, annulment and denial, to explore differences in each poetry betwe…
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Nick Groom's study of the union, The Union Jack: The Story of the British Flag, was published in 2006. In this paper, he brings that story up to the present day by surveying the past five years of Union Jackery, from Gordon Brown's initial enthusiasm for new definitions of Britishness through ongoing redefinitions of the iconic image of the flag to…
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The emergence of four nations framework in literary and historical scholarship has helped us to arrive at a fuller understanding of the complex and overlapping histories of the islands of Britain and Ireland, while recent research into Wales and Ireland in particular has helped to make the map of our relations more fully comprehensible. But what is…
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Among the many divergent strands of Irish and Welsh cultural history, one commonality stands out: the profoundly self-conscious preoccupation with nationality and nationhood. For decades, political and cultural thinkers have troped this concern in the spatialized relation between centre and periphery. This paper finds poets working on both sides of…
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In '"I have only one culture and it is not mine": Professions of English diaspora', Julian Wolfreys engages in acts of memory-work, to recover, through a focus on the voice as mnemotechnic and anamnesiac trace, the occluded and marginalized cultural differences of the regional English. Through a reflection on the work of the literary as archive and…
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In Poems and Paradigms Edna Longley argues that the archipelagic paradigm is crucial to the criticism of modern poetry in English. Quoting John Kerrigan on the expansive, multi-levelled, polycentric aspects of the literary and cultural field, she discussed five poems which display their archipelagic co-ordinates on the surface: W.B. Yeats’s Under S…
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