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Central City Opera Podcast

Central City Opera

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Have you ever wanted to sit down with a Central City Opera singer, director, conductor, or production staff member and get to know them (and what they do) a little better? You’re in luck - our podcasts feature interviews with artists and others involved in our operas this season, plus insights from local experts on the Festival offerings. Find out more about the fascinating people who make the magic happen on the Central City Opera House stage.
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On this episode, Cecilia Violetta López and Digital Marketing Manager Peter Constas Cecilia's role as Desdemona in this year's production of Othello. Cecilia dives into how her mom taught her to sing while working on a sugar beet farm, how she got her own day in Idaho, and how she acclimated to Central City's altitude. Have questions or want to pro…
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On this episode, Developing Artist Kameron Alston and Digital Marketing Manager Peter Constas discuss Kameron's role as Tybalt in this year's production of Romeo & Juliet. Learn about one of the youngest members of the Developing Artist troupe and what it's like duel-wielding on stage. Have questions or want to provide feedback? Email us at podcast…
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On this episode, Developing Artist Isaiah Feken and Digital Marketing Manager Peter Constas discuss Isaiah's role as a "gangster" in this year's production of Kiss Me, Kate. Learn about what it's like to be on stage with Broadway legends as an opera singer, why it's more fun being the villian, and the commonalities between opera and dogs. Have ques…
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On this episode, Music Director John Baril and Central City Opera CEO Pamela Pantos discuss the three main-stage productions being featured in this year's Summer Festival. Brush up on your Shakespeare, because this season includes productions of Romeo & Juliet, Kiss Me, Kate, and Othello. Join John and Pamela as they detail the rarity of seeing six…
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On this episode, we hear from David Duffield, a historian with The Center on Colfax in Denver, Colorado. David was part of a panel of experts hosted by Central City Opera on June 12, 2022, to give perspectives on the themes within the chamber opera TWO REMAIN. I asked him to be on the podcast to dig even deeper, and he shares about LGBTQ history in…
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On this episode, we hear from sopranos Rebecca Caine and Diana Newman, principals in THE LIGHT IN THE PIAZZA. Rebecca plays the role of Margaret Johnson, and Diana plays the role of Margaret’s daughter Clara. This is the first time they’ve worked together, and watching them onstage, you’d think they were old friends. Rebecca shares how much she lov…
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On this episode, we hear from conductor Brandon Eldredge and soprano Tessa McQueen about Act One of Jake Heggie and Gene Scheer’s chamber opera, TWO REMAIN. Act One focuses on the true story of Polish poet Krystyna Zywulska surviving the Holocaust – and the psychological trauma she dealt with the rest of her life. It’s based on her searing memoir o…
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On this episode, we pull back the curtain and hear from the Costume Designer for THE LIGHT IN THE PIAZZA, Edina Hiser. There are a LOT of costumes in this production, and Edina gives us the insights into the symbolism she embeds in the design, the anatomy of a quick change – since there are so many! – how she is able to engineer costumes to functio…
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On this episode, we hear from two principal singers in DIE FLEDERMAUS: mezzo-soprano Kira Dills-DeSurra who plays the role of Prince Orlofsky, and tenor William Ferguson, who plays the role of Eisenstein. Both Kira and Will are seasoned comedic performers, and their healthy senses of humor are on full display during this episode. Will and Kira talk…
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On this episode, we dive deep into DIE FLEDERMAUS with stage director Joachim Schamberger and conductor John Baril. While on the surface, this operetta may seem like nothing but champagne bubbles and fun, Joachim and John reveal the complexities of the story and music that make this operetta timeless. Joachim is an acclaimed stage director and vide…
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On this episode, stage director Ken Cazan and conductor Adam Turner share their insights into the musical THE LIGHT IN THE PIAZZA. This is Ken’s 20th season directing at Central City Opera, and Adam has worked on the music side for seven seasons since 2011, first as associate conductor, then as guest principal conductor. Ken and Adam dig into the s…
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On this episode, we go behind the scenes with Technical Director Kerry Cripe and Stage Manager Angela Turner. Kerry’s been TD with Central City Opera since 2017, and this was Angela’s first summer with us. And what a summer it’s been! Kerry and Angela share all the insider details on producing an outdoor opera festival in Colorado, complete with 10…
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On this special “Young Artist Spotlight” episode, we meet three singers from Central City Opera’s Bonfils-Stanton Foundation Artists Training Program: baritone Bernardo Medeiros, mezzo-soprano Michelle Monroe, and soprano Marin Tack. The two women have small but significant roles in all three shows, and Bernardo is covering the two title roles, Rig…
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On this episode, the director of this summer's production of Purcell's DIDO AND AENEAS, Dan Wallace Miller, talks about ALL the things - his outdoor, updated production in the Central City Opera Garden, his background in film and how he brings that into opera, how his love of Wagner and all things music drama started at the very young age of four, …
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On this episode, soprano Anna Christy and baritone Steven LaBrie talk about their roles of Julie Jordan and Billy Bigelow in CAROUSEL. Steven and Anna discuss the big question most of us think when watching this show – why does Billy treat Julie the way that he does, and why does Julie stay? Anna also shares how the roles she’s played on the Centra…
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On this episode, soprano Alisa Jordheim and tenor Galeano Salas join the podcast from a porch in Central City – so you’ll hear some wind and cars driving by. Alisa is performing the role of Gilda in this summer’s production of Verdi’s RIGOLETTO, and Galeano is performing the role of The Duke of Mantua in the same production. They are also fairly re…
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On this episode, Stage Director Jose Maria Condemi and Conductor/CCO Music Director John Baril discuss the details of this summer's production of Verdi's RIGOLETTO. John talks about the adjustments made the orchestra - including how he wrote a tuba part! - and Jose Maria tells us why and how the time period was modified to modern day. (Here's a hin…
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On this first episode of season six of the Central City Opera Podcast, we hear from stage director Ken Cazan. Ken is back this summer in Central City for his 19th season to direct Rodgers & Hammerstein's musical CAROUSEL. Ken dives deep into the story and themes of this beloved musical, how he and conductor Christopher Zemliauskas made the adjustme…
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Opera Central and the Central City Opera Podcast proudly host the heads of two leading equity, diversity, inclusion and accessibility (EDIA) organizations in Colorado: IDEA Stages Founder Lisa Young and Alliance for Music Education Equity Director Ana Luna Uribe. They talk with CCO Audience Development Manager Teila Theisen about their goals for ou…
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Colorado Music Ambassador and Flobots emcee/lead singer Stephen Brackett talks about music as a tool for liberation, working with young people through his nonprofit Youth On Record and the state of music in Colorado with CCO Director of Marketing and Communications (and longtime friend) Gail Bransteitter. From the halls of George Washington High Sc…
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Phebe Berkowitz-Tanners grew up in the Central City Opera House. Her family made a second home in our magical, old western town during the summers of 1953-1963 when her father, Metropolitan Opera violist David Berkowitz, played the Festival season with the Central City Opera Orchestra. Now a dedicated supporter of the company, Phebe reminisces with…
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En Mis Palabras artists share their thoughts and experiences on racially accurate casting, representation in the performing arts and the importance of telling diverse stories on the operatic stage in today’s episode. Guests include Mica Dominguez-Robinson, who originated the leading role of Ana Maria, and brand-new cast members Daniela Guzmán-Égüez…
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The conversation on our original, bilingual opera En Mis Palabras/In My Own Words and diversity, equity and inclusion in the arts continues. Today we discuss Su Teatro and Central City Opera’s collaboration on the En Mis Palabras workshop and premiere, Denver’s rich Chicano history and art as cultural affirmation. Featuring some of the original art…
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This interview is part of a three-episode series featuring our original bilingual opera En Mis Palabras/In My Own Words and exploring equity, diversity and inclusion in the arts. Central City Opera (CCO) commissioned En Mis Palabras more than 15 years ago, with the goal of acknowledging the 1/5 Latino population here in Colorado. The opera tackles …
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