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This is the replay of a live event Max & Scott did along with the International Screenwriters' Association. They welcomed screenwriting aficionado Jen Grisanti, who has a long history of working with screenwriters as an executive and consultant.Bởi Max Timm & Scott Markus
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Scott (and his wife Wendy) fill Max in on their adventure across the Emerald Isle, discussing the haunted hot spots and legendary tales they discovered along the way... also the adventures of driving on the other side of the road.Bởi Max Timm & Scott Markus
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Writer/researcher Lindsay Blake has made a career out of a passion - finding where her favorite shows were filmed (starting with "Scream"). Geek out with us as we talk about unique locations across LA including hidden gems & strange LA crimes.Bởi Max Timm & Scott Markus
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As we call into session this meeting of the Fantastic Story Society, we are thrilled to induct a new member. Her life as a writer and performer has evolved on stage in front of an audience, from Leprechauno to pregnant party girl to mamacita, the diaper diva. She’s a staple of Chicago radio, having hosted shows on the city’s biggest stations. You c…
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Cassie Carpenter regularly leads tours of Haunted Los Angeles and Hollywood. After attending a haunted University in Southern California to major in theatre, it's only fitting! In this episode, we discuss a number of her favorite haunted LA locations.Bởi Max Timm & Scott Markus
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Comedy director Jason Woliner has worked on some of our favorite comedies, from What We Do in the Shadows & Last Man on Earth to New Girl & the Borat sequel. He's back with the infinitely fascinating crime mystery Paul T Goldman, now streaming on Peacock.Bởi Max Timm & Scott Markus
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Performed in Park City, UT during Sundance. An ambitious painter vaults to fame when Marie Antoinette selects her as a portraitist, but the impending French Revolution threatens her career, her family, & her friendship with the hated QueenBởi International Screenwriters' Association
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Shayna and Max spend the bulk of the episode discussing audience response to films, both in terms of box office hits and misses and why critics and audiences often have drastically different viewpoints of films. They take a deep dive into Damien Chazelle's Babylon.Bởi Max Timm & Shayna Weber
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