Delve into the wide world of Eastern European film with the Klassiki Podcast. Featuring interviews, roundtable discussions, recorded essays, and more, we take you beyond the headlines to explore the past, present, and future of this fascinating region. Sign up to Klassiki today to gain access to our ever-evolving library of classic and contemporary titles, as well as filmmaker interviews, video essays and introductions, programme notes, and much more.
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From Cranes to Cuba: how Kalatozov and Urusevsky reinvented Soviet cinema
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We’ve reached the end of the second season of the show! Thank you to everyone who’s listened along so far. If you enjoy the show, please leave us a five-star review or a comment on your podcast app of choice. We’ll be back in 2025 with a new season, bigger and better than before. For the final episode of the season, we’re dipping back in to the arc…
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Shooting through tragedy: Shoghakat Vardanyan on 1489
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Host Sam Goff speaks to Armenian director Shoghakat Vardanyan about her remarkable debut, 1489. In 2020, Vardanyan’s 21-year-old brother went missing days into the Second Nagorno-Karabakh War between Armenia and Azerbaijan. With no prior filmmaking experience, Shoghakat picked up her phone and started recording herself and her parents as they began…
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One hundred years of Sergei Parajanov
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2024 marks one hundred years since the birth of the great Sergei Parajanov, who turned Soviet cinema on its head in masterpieces like Shadows of Forgotten Ancestors and The Colour of Pomegranates. Persecuted for his experimental artistic approach and queer identity, his work still provokes vital questions about post-Soviet culture. What exactly doe…
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Eisenstein and Ivan the Terrible today
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2024 marks 80 years since the release of the great Sergei Eisenstein’s final, unfinished masterpiece: Ivan the Terrible. Commissioned by Stalin himself to make a biopic celebrating the bloodthirsty 16th-century tsar, Eisenstein instead produced a complex portrait of paranoia and power that remains relevant to this day. To get to the heart of Eisens…
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The lonely voice of Aleksandr Sokurov
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This month, audiences in London have been revisiting the works of one of Russian cinema’s grandees, with a retrospective of the films of Aleksandr Sokurov, organised by the cultural institute Pushkin House. Best known in the West for his 2002 epic Russian Ark, Sokurov is arguably the last living embodiment of the classic Russian arthouse director, …
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Poland in the 80s, from Wajda to Kieślowski
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In this guide, first published on the Klassiki Journal and written and read by host Sam Goff, we introduce the cinema of Poland in the 1980s. The last decade of communist rule was a period marked by the brutality of martial law, but also the emergence of critical new voices and masterpieces from figures such as Andrzej Wajda, Agnieszka Holland, and…
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Dea Kulumbegashvili and Petar Valchanov at the London Film Festival
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This month saw the 68th edition of the London Film Festival hit the capital’s cinemas. Host Sam Goff went down to the festival press circuit to get hold of two of Eastern Europe’s finest: Georgia’s Dea Kulumbegashvili, whose abortion drama April has been turning heads since it won the Special Jury Prize at this year’s Venice Film Festival; and Bulg…
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The footballing fantasies of Sandro Koberidze
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Georgian filmmaker Sandro Koberidze joins host Sam Goff to chat about his forthcoming film Dry Leaf and the hidden connections between his two great passions: cinema and football. Watch Sandro’s award-winning What Do We See When We Look at the Sky? on Klassiki now. Sign up for a free 7-day trial at klassiki.online.…
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Under the Volcano: Damian Kocur reimagines the Ukraine war drama
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Host Sam Goff sits down with Polish filmmaker Damian Kocur to discuss his new Ukraine war drama Under the Volcano. The film follows a Ukrainian family who are vacationing in Tenerife when the full-scale war breaks out back home, leaving them stranded on the island. Damian explains how he applied his idiosyncratic filmmaking technique to this story …
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Prefab pictures: cinema of the tower block with Owen Hatherley
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The Klassiki Podcast is back for our second season. We’re kicking off with an interview with author Owen Hatherley about the history of the tower block on screen. Widely understood in the West as symbolic of the grey monotony of life behind the Iron Curtain, the prefab tower block remains misunderstood more than three decades after the fall of comm…
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Yuliya Solntseva: the forgotten queen of Soviet film
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In this profile, written by critic and curator Rachel Pronger and first published on the Klassiki Journal, we introduce you to one of the most consequential and misunderstood figures in Soviet film history: Yuliya Solntseva. A silent star who became one half of Ukraine’s most influential creative marriage but whose place in history has been obscure…
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The fight for the future of Georgian film
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Host Sam Goff is joined by two representatives of the so-called “film movement” in Georgia – Keti Machavariani of the Georgian Film Institute, and Keto Kipiani of the Documentary Association of Georgia – to discuss cinema’s place in the ongoing protest movement against the increasing authoritarianism of the country’s government. They explain the si…
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Springtime for Soviet cinema: the films of the Thaw
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In this guide, first published on the Klassiki Journal and written and read by host Sam Goff, we introduce the cinema of the Soviet Thaw. As a new era of cultural freedom swept the USSR after the death of Stalin, iconic directors like Mikhail Kalatozov and Marlen Khutsiev created a new cinematic language defined by sincerity and stylistic innovatio…
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Żuławski, Parajanov, and me: adventures in Eastern Europe with Dan Bird
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Dan Bird is one of the world’s leading specialists on cult cinema from Eastern Europe. His work in restoration and distribution has played a key role in preserving the legacies of iconic filmmakers like Andrzej Żuławski and Sergei Parajanov. He joins host Sam Goff to discuss a career spent traversing Eastern Europe in search of hidden gems. Klassik…
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The humanism and surrealism of the Czech New Wave
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In this piece, first published on the Klassiki Journal by critic Sonya Vseliubska and read here by host Oliver Hunt, we introduce the wild world of the Czech New Wave, one of the most influential movements in Central and Eastern European cinema. Blending aesthetic and philosophical innovations from France and Italy, the New Wave gave us legendary f…
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Agnieszka Holland on her urgent and politically charged refugee drama Green Border
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Legendary Polish director Agnieszka Holland joins host Oliver Hunt to discuss her ripped-from-the-headlines new film, Green Border. Tackling the refugee crisis that unfolded along the Poland-Belarus border in 2021, the film provoked political controversy within Poland, and shows Holland at her humanist best. Green Border is out in the UK from 21 Ju…
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Behind the scenes of the Romanian New Wave with Ada Solomon
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Film producer extraordinaire Ada Solomon joins host Sam Goff to take us behind the scenes of Romanian’s troubled but brilliant post-communist cinema. One of Eastern Europe’s most vital producers, Ada outlines the origins of the Romanian New Wave, the movement that rocked Europe in the 2000s. She also gets into her work with Radu Jude and others, an…
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From Toronto to Ararat: Atom Egoyan on his career in the Armenian diaspora
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Acclaimed Canadian-Armenian filmmaker Atom Egoyan joins host Sam Goff to discuss the role his Armenian heritage has played in his career. From his early features to his historical epic Ararat, Atom discusses how he’s grappled with personal and national history onscreen and the gems of classic Armenian film that have inspired him. Delve into Atom’s …
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Ian Christie on Eccentrism, the forgotten mavericks of the Soviet avant-garde
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Film historian Ian Christie joins host Sam Goff to discuss his new book on the Factory of the Eccentric Actor: one of the most striking and under-appreciated corners of Soviet avant-garde cinema. Ian talks us through the wild world of 1920s Petrograd, how Eccentrism predicted the French New Wave, and the lessons it still bears for students of Russi…
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Radu Jude on TikTok and the future of film
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Romania’s provocateur in chief Radu Jude joins host Sam Goff to discuss the runaway success of his hilarious new film, Do Not Expect Too Much from the End of the World. Along the way, Jude explains the the East-West crisis in European politics, his evolving approach to national history, and how TikTok is forcing filmmakers to adapt – or die. Watch …
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Klassiki is a streaming platform with a difference. Dedicated to cinema from eastern Europe, we offer subscribers an ever-evolving library of classic and contemporary titles, featuring iconic figures like Andrei Tarkovsky and Kira Muratova as well as hidden gems, documentaries, animation, and more. Subscribers get access to all this, as well as fil…
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