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Philosophical and esoteric perspectives from a modern day Showman. Each season is different in its approach. S1 is essays. S2 is one book length attempt at Understanding Showmanship, S3 is conversations with remarkable Showfolk. The brand new Season 4 explores the relationship between Showmanship and Play. The host, Captain Frodo, internationally renowned circus performer, director, writer, husband and dad lays out, in great detail, his practical performance philosophy for performers who see ...
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Showmance

RomComPods

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The third immersive fiction podcast from the RomComPods team! Recently jilted by her boyfriend (who also happens to be her boss...yikes!), Casey is offered a dream job launching the British spin-off of the cooking TV show she produces, and heads to London looking for love. What she doesn’t expect is to find it TWICE! Showmance stars Skyler Samuels (Scream Queens), Jack Turner (One Winter Weekend), and Elliot Knight (Life Sentence).
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The Showman Code

Keye Oduneye

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The Showman Code outlines Keye Oduneye's personal and professional development perspective to ignite motivation and drive change. His opinion redefines traditional notions of success, allowing for a sustainable lifestyle of continuous growth. Through this learnable code, he encourages people to be open to opportunity, take risks, and constantly push themselves to become their best version.
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CALLING ALL GLEEKS! You asked for it! Join the two former Glee stars and best friends as they take you behind the scenes (with all the Glee Tea) and break down episodes from Season 1 with former cast members - producers - and writers that brought the show to life! Send us all your burning questions at ShowmancePod@gmail.com - OR leave a message on the SHOWMANCE HOTLINE at 424.248.8065! Make sure to follow us on instagram @ShowmancePodcast
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In this episode I continue describing the ways we find the play impulse, or the activity of play, manifesting in the world. I start by talking about learning. -The next way play emerges is through Imagination. -Then we look at how, quite obviously, play manifest thorugh actual playfulness. -We procede to Sociality. -Then I find in Rutger Bregman's …
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Adults and children spend their days differently - we work, babies play. Play is the signature of childhood. It’s a living, visible manifestation of imagination and learning I action. Allison Gopnik If play is a constant and a genuine human drive, how do we recognise it when we see it in the world? Or more specifically; in which kind of behaviours …
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"Instincts are the whispers of our ancestors." - Quote by yours truly. In this episode we explore whether our inclination to play might actually be an innate human drive. Do we human beings possess an instinct to play? If so, how and why would something like that evolve? By understanding how something came into being we often learn valuable lessons…
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In this episode I finish up the unpacking of the five criteria of play. As we go on these five points will be the backbone of our inquiry. Much like how using Showman - Audience & Show as a symbol or mnemonic picture which affords us a lot of understanding, these five criteria will expand our understanding of play, and by transferral how it connect…
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In this episode I talk to Jellyboy the Clown about his book Memoirs of a Coney Island Clown. I learn a lot about him and how closely our experiences mirror eachother. There are some tragic details about suicide in this episode - be warned, if you need such a warning. "Embark on an unforgettable journey alongside Jelly Boy in "Memoirs of a Coney Isl…
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In this episode I continue to unpack the five criterias of play. The five are as follows: 1 - Play is fun. It’s intensely pleasurable and enjoyable. So when we play we don’t want it to stop. 2 - Play is self motivated, which means it has to be entered into voluntarily. 3 - Play is apparently purposeless. We play for the sake of playing not to achie…
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In this episode Jay Gilligan brings up a few questions relating to episodes 3 & 4 in my exploration of Showmanship and Play (number 96 & 98). -We talk about what its like to talk to people about something which does not have an easy answer. A fortune cookie once told me "to every complex problem there is always a simple answer - and its usually wro…
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In this episode I catch up with an old friend, a unique and philosophically inclined comedian and clown Mr Trent Birdmann. We talk about our shows together, our thoughts on our past, present and the uncertainties about the future. We share stories and insights about our lives as Showmen trying to make it in the modern world. You can find Trent Baum…
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In this episode I unpack the five criterias of play. The five are as follows: 1 - Play is fun. It’s intensely pleasurable and enjoyable. So when we play we don’t want it to stop. 2 - Play is self motivated, which means it has to be entered into voluntarily. 3 - Play is apparently purposeless. We play for the sake of playing not to achieve some furt…
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In this episode I take you on a walk with my little dog Teddy and along the Way we encounter play in a very direct way. Then I let you take a sneak peak at my daughter and her kind of play. Then we look at trying to define play is like pinning a butterfly. From all these examples I distill the nature of play down to five criteria which will be the …
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In this episode Jay Gilligan asks me to explain and elaborate some details about a previous episode. The main part of this season (4) is the 30 episodes that explores and makes my argument for how the very deepest origins of Showmanship can be found in human play as well as building a powerful argument for this dual trait of Showmanship & Play lies…
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In this episode I seek general features of what happens in the Area of Interest, or in Shows. I talk about Nalle Laanela's book the Clown Manifesto and how it helped me understand that two key features of performance and Shows are Connection and Playfulness. links: Nalle's wonderful book the Clown Manifesto Support the Show. ... Now you can get t-s…
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This is a celebratory episode along the lines of my previous audio poetic endeavours in episode 21 and 42. This is an epic poem which initially was called The Rime of the Ancient Merrier. Merrier |ˈmerēər| noun (mer•ri•er) 1 one who brings happiness to others. 2 a simple or special person, trad. considered blessed or touched by God. 3 a fool or a c…
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In this episode we try something new. Jay Gilligan has listened to my new season about Play & Showmanship and he found that there were several points in the episode he wanted to know more about. He recorded some snippets with some AI app that he has and he reads me the unedited transcriptions of these and we have a great and DEEP conversation about…
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In this episode I make one more example of a metaphor of my own making. I believe this to be a particularly fertile example, by which I mean a deep and powerful metaphor. Using the uncanny similarity of the geometry of triangles with the process of Showmanship. Looking at the two side by side I belive we can get insights into the nature of our Craf…
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I didn't think it would happen. Not this birtday ramble nor that I would be back in Las Vegas, nor that I would be here with Cirque du Soleil! But I am back on all those fronts and yet again I am humbled by my own lack of ability to accurately predict the unfolding events of my life. BUT I am beyond grateful that it all conspired to be this Way. Su…
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In this episode I talk about viewing the world through the lens of Showmanship. This is something I say at the beginning of each episode and it is what this podcast is all about. I talk about how to look and what the lens is. So, this episode has as its aim to allow you a clearer idea of what it means and to be able to look at the world in the same…
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In this episode I lay how what Showmanship is, as I see it. If we are to work out what the origins of something is, particularly if the origins lay deep in prehistory, then chances are there has been a great deal of change to the thing. Sometimes so much that it is hard to recognice it. SO, to be able to know what the origins are we must know what …
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In this episode we start a whole new project. We revert back to the format of the first 60, or so, episodes where I share my own ideas with you. The subject for this 4th season will be Showmanship & Play. Or, how Showmanship is like Play and what we can learn from seeing it as such. links: Here is a link to the whole season of PBS series about evol…
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In this conversation we talk further about making choices and how learning to understand why we take the choices we do about what we do on stage we develop clarity of expression which is the foundation stone of a good artist. some of the things we talk about: -Why did you do that? I dont know is not a good enough answer. -Concretise your choices an…
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In this episode I ask Jay Gilligan to tell me about how he makes his ideas concrete to his students at the circus school in Stockholm. -How this relates to performance abstract and concrete or narrative -Circus appears frivolous when seen in most cases, academic thought in universities might make contributions to unpacking how its not, but this aca…
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In this episoe I try to get Ivar Hackscher and Jay Gilligan to help me further my understanding about the difference between concrete and abstract performance. The topic is complex and our routes into its terrain circuitous. Some of the topics touched on: -Necessity, freedom and play. Arthus Zajonc's book Meditation as contemplative inquiry -How do…
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In this episode Jay Gilligan and I talk to the wonderful teacher and artist Ivar Hacksher in his house. We talk about many things, but the underlying flavour is about making choices in art and life. some of the things we talk about: - the importance of not knowing. -making things and ideas concrete too soon. -Olle and Sarah from the stockholm galle…
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In this episode Ivar Hackscher, Jay Gilligan, Erik Åberg and myself talk about education and abouyt being constant learners. Some of the topics we touch on: -What would be a good education for jugglers -A school does not have enough time to be completely open ended. Only your education in life will have that time, and even that does not have unlimi…
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In this episode there are four of us talking. The audio is not quite what you have gotten used to on this high budget, high fidelity broadcasting operation, but the content is as golden as ever. It's a free flowing conversation around the topics of education, sharing our knowledge and how listening makes us better human beings. some of the topics w…
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In this episode I continue my conversation with Mac King. We start out talking about Shows and performing but end up talking about books. SO, the last part of this episode is possibly the first episode of a spin off book club, where Mac and Frodo talks about books NOT relating to performing. Topics we touch on: -On performing almost exlusively in o…
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In this episode I get to have a conversation with an absolute legend of magic. He has had his own show in Las Vegas for more than 20 years! Just try and picture that. He reached out expressing his appreciation for the podcast and I hopped on the opportunity to ask him to join me for a stroll along the Way and this is part one of that. As you'll hea…
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This is the second part of my conversation with juggle, inventor and thinker Erik Åberg. We talk about a whole range of interesting topics and I marvel at the depth of thought Erik shares with me. we talk about: Archiving as artistic practice. Paul Cinquevalli. Juggling history is the past, juggling today can be observed, the possible future explor…
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In this episode we bring you the first part of a conversation with Erik Åberg who at the time of recoring is writing his Ph.D about juggling. He is an extraorinary juggler with a wonderful way of thinking and finding real deep questions about juggling, writing, researching, archiving, and answering them in illuminating ways. We start out talking ab…
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The best version of a juggling show was the written verision, or the told version of the show. The reason he chose to speak in the show was to make it more relatable. Be direct. Deliberatly casual. Every spectator gets to choose their favorite colour from a tray. Human interest and a genuie meeting of people. Choosing music. the process of making t…
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How does juggling props get made from possibility to reality. Siteswap and juggling notation colour notation for pattern. Deepening the conversation about colour and Juggling. In painting, sculpture and design colour is SO well researced which makes the task of quesiotning juggling and colour quite intimidation. Placing juggling in art context. the…
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This episode I get Jay Gilligan to tell me about the incredible process that led him to the realisation of his latest show Another Sunset. From having to make props and get special balls hand sewn and hand dyed in colours never seen before in a juggling context. We talked in previous episode in season 2 about a year long process we had making Jay's…
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In this episode Mario and I talk about his upcoming season in Edinburgh, he's ordered 10.000 clown noses. We talk about play and bringing up kids on the road. We talk quite a bit about family. I try to pry secrets from his process of creating emotionally engaging and unusually deep acts by getting him to tell me about his Pixar looking lamp robot a…
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Jay Gilligan and I begin our second kitchen conversation talking about the importance of documenting ones work and process and also our ongoing work in how to do this. We talk about the importance of listening back on conversations, youll be surprised at how much you missed. unpacking details you've read, or that emerge in a conversation, into a wh…
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In this episode Jay Gilligan and I converse in his kitchen. We start talking about how juan Tamariz, the massively influential Spanish magician, takes control of his whole environment to create the best possible conditions for creating a magic experience. From that we talk about about how to present your needs for light and sound etc to producers a…
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In this second part of the conversation with Gareth Bjaaland we talk about the spirit of circus. He sugests wonderfully that it might be the show must go on you can put anything in the ring and everyone is welcome. I loved this! we then talk about games, finite and infinite, we talk about serious play and serious games. This was a really fun conver…
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This is the first part of a great flowing conversation I had with Garreth Bjaaland, whom regular followers of the Way will remember well from our conversations about the ingredients of comedy. In this conversation we go far and wide and surprisingly deep on matters related to comedy, we look at Gareths revisions and developments on this thinking ab…
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In this epidose comes the first part of a wonderful conversation I had with the knowledgable and deep thinker Tom Greder. He is a clown, a teacher and innovative creator. We talk about how to decide what to put in a Show. What does Audiences take away from your show, beyond whatever tricks or Material you present. About performing a Show and after …
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In this epidose comes the first part of a wonderful conversation I had with the knowledgable and deep thinker Tom Greder. He is a clown, a teacher and innovative creator. We talk about the pandemic and how we dealt with having no Shows. About forests real and metaphorical. We talk about choices. So much about what we do is to choose what to. includ…
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On the Showman code, @Keyeoduneye is inviting businesses and entrepreneurs to look beyond just telling their stories or pitching an idea; they need to learn how to sell to their stakeholders. (teams, staff, family, support network) He advises businesses to ensure their employees feel part of the mission by highlighting bigger goals or impacts they …
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In this episode Jay Gilligan and I start talking about authenticity and pretty quick Jay steers the conversation into an area of my artistic process and indeed my approach to life, philosophy and art in general. I share, off the cuff my approach which I call active reading, or trasformative conersation with the environment. Support the Show. ... No…
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In this conversation Jay Gilligan and I dig deeper into how the best presentations of any kind of Material seems to emerge, in a holistic way, from an authentic character. We arrive back at magician Dani DaOrtiz's techniques and how his whole persona, the way he uses language, is completely fused that to use some of his techniques every magician wo…
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In this episode Jay Gilligan and I start the conversation talking about magic and Dani Daortiz. If you haven't seen Dani's act from Penn & Teller's Fool Us then do that first. This is a link to Dani DaOrtiz's act. If you want to see Dani's unbelievably awesome, indepth explanation of all the theory which lies behind his seemingly chaotic but master…
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The pandemic and I share a birthday. Sometime in the depths of the pandemic I made a broadcast trying to share some more personal goings on in regards to how I was holding up one year after the events taking place in the very first episode of this podcast The Day Showbiz Died. Then I made another birthday update, more personal and more rambling tha…
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In this third and final part we look at more of the different types of jokes there is. This is really useful thing. Anyone who is stuck with "writers block" when they are trying to write new funny Material for a show or and act will be able to use these Ingredients as a check list for ways to make their jokes varied and hitting on all kinds of leve…
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In this episode we jump into the first of the ingredients, or joke structures and themes from Gareth Bjaaland bold and exciting attempt to reign in comedy's seemingly endless and chaotic scope. I am so into projects like this. It's valuable and useful practically as a tool to improve our craft, like getting more and varied laughs in our shows, but …
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Finally we are getting a brand new voice on this podcast and what a voice it is. Gareth Bjaaland is a wonderful Showman. An acrobat, icarian games, juggling, all round really funny and generous performer. The reason we got into a conversation was Gareth's project of creating a list of the 12 Ingredients of Comedy. This was such an interesting explo…
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In this episode I attempt to get a better understanding of what a skill based act is. To do so I engage my good friend and conversational partner Jay Gilligan who is an absolute expert on this topic. How do skill based acts differ from talking acts, musical acts, or is perhaps the distinctions arbitrary? Wheter they are different in a fundamental o…
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In this episode I get into a conversation with Jay Gilligan about the process of taking a show from idea to reality. It is very different to sit around and talk on facetime or messenger and shape and create a show, its very different when you pack all of your stuff into forteen suitcases and then have to get yourself to the airport and fly from Swe…
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In this episode I have a conversation with myself about shows as authentic dialogic creations. By looking at what a dialogue is and about what happens when we engage in a real conversation I believe we can glean some valuable insights that can be powerful when used in our Shows. "Only by connecting with another person, face to face, and by wholehea…
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