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stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations. The podcast has evolved over its existence, started as a field recording podcast in 2012 the first ...
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Concrete blocks, a bit of feedback, a slow melody, erosion, moving, turning to a beat to move forward, sitting and thinking about the future. A recycling of some of the sonic elements from 103 of the podcast, Unknown Movement Underground, originally uploaded in July of 2018. Sine waves rearranged for sample instruments, field recordings are replace…
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The water flows north this morning. The sun, it seems to be moving slower over the lake, gaining altitude, finding its way through the clouds. The birds, mostly geese, sparrows, and pigeons today… I wonder if they see what I see. Do they marvel at the sun, the clouds, and the reflective light on the lake? Their brains are made of the same gray stuf…
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A field recording of Lake Michigan, interweaving chromatic scales, and arpeggios, episode 165 of the podcast features a new composition for a small ensemble (or rather a computer pretending to be a small ensemble). The piece was partly inspired by several bike rides I took this weekend, from Evanston to a nature preserve near South Shore Cultural C…
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stopGOstop and Idaho Street Workshop are proud to present: Thunderstruck, or how I stopped listening and learned to love the end of the world. Featuring field recordings as well as reflections about the weather, high fidelity recordings, war, and much much more.Bởi john wanzel
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A new composition for watching the snow melt, or watching the ice float on the Lake, or to calm the mind as it awaits the future. Always remember, composer Milton Feldman worked at his family’s business (manufacturing children’s coats) until he was forty-four, so work tomorrow isn’t going to be that bad. This piece is the second in a series of work…
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After an unintended 5 month hiatus, the stopGOstop podcast is back with episode 159. Evanston or Midwest in Midwinter or I don’t understand Mark Rothko is a 14-minute composition featuring field recordings of walking in the snow, a brass quintet, sine waves, and a positive attitude.Bởi john wanzel
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Episode 158 of the podcast features four field recordings from a weekend out and about (August 21 and 22, 2021). On Saturday, I rode my bike downtown to record outside the Phillies v Padres baseball game. Then, while I was downtown, I walked through the outdoor restaurants/bars in the Gaslamp Quarter. On Sunday, while on the way back from lunch (we…
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I have been thinking a bit about electronic voice phenomenon (EVP), clairvoyance, and ways of hearing outside of the normal lately. This is partially influenced by the book Thought-Forms by Annie Besant and C.W. Leadbeater, written in 1901. In short, the book explores the visual manifestations of thoughts and the notion that they exist as objects. …
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Can we revisit our past and change it? Jerome wakes up in Omaha, thinking about Jaws, and the summer of 2003. Then, a reporter recounts her experience at an anti-war protest, followed by Jerome talking a bit about the Utah Jazz, Lebron James, and how to make a proper scrambled egg. Summertime features the voice talents of Anna Clark, Brian Taylor, …
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Where do history and memory intersect? Episode five features long sections of fan-fiction involving Ann Rutledge and Abraham and Mary Todd Lincoln, as well as more information about the end of the relationship between Jerome and Regina.. Honest features the voice talents of Anna Clark, Brian Taylor, and John Wanzel. The program is written, composed…
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How do past, present, and future change when a loved one dies? Episode four is the story of Remy. It takes place in the forest, and involves the CIA, stress positions, Labor Day, the highway, and an undiscovered country.. The Story of Remy features the voice talents of Anna Clark, Brian Taylor, and John Wanzel. The program is written, composed, and…
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As part of its inaugural season of the Idaho Street Workshop, the stopGOstop podcast is releasing parallel projects for each episode. Episode 153 is a character study of Jerome, who is the lens that most of the story is told through. It features the sounds of traffic, riding public transportation, crickets, as well as computer-based guitars, synthe…
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A new sound collage featuring the beginnings of the Iraq war, existential-phenomenological foundations for a science of persons, with tuba, xylophone, clarinet, flute, pulsing feedback, and a field recording of the French countryside recorded in the summer of 2003. . As part of its inaugural season of the Idaho Street Workshop, the podcast will be …
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What fills in the voids of memory? In episode 2, Jerome interviews Regina about Nick’s death. A discussion about movies and secrets is interspersed with stage directions and the WHO’s report on the global burden of disease. The program concludes with an interview with Tamara. Night Moves features the voice talents of Anna Clark, Brian Taylor, and J…
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What do you remember more, the death of a friend or the death of thousands? The series begins with an interview recounting the summer of 2003 and the death of Nick. The episode then traces Jerome’s family history in the armed forces, the start of the Iraq war, the beginning of Covid-19, and gun violence in Chicago. As part of the first season of th…
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It starts with an announcement. Episode 150 continues with a sound collage featuring: bike safety, atomic clocks, basketball, the Chicago Style, a bit of chaos, GPS, and featuring synthetic piano, slowed down typing, low notes, and much much more! For more information about my new project please visit idahostreetworkshop.com…
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A transformation/remix of how do you think i began in the world, an album I released in April 2020. In the wolrd rearranges and revoices about of a quarter of the orginal elements of the piece. I have also added bits and pieces of audio from the rehearsal launch of Apollo One. If you would like to support the podcast, please think about purchasing …
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Sometimes at lunch, I hear the organist practicing at the Spreckels Organ in Balboa Park. The organ is “the world’s largest outdoor instrument,” and has “more than 5,000 pipes” that are usually used to play a variety of show tunes and standard classical fare. Episode 147 is an incantation to the great instrument, that has been underused these last …
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It starts with a flurry, a quickening, eventually slowing down. The strumming and pecking in the background start to become more pronounced as the anxieties lessen. The beat stops, and the feedback envelops. In the distance a melody is present, but the foreground disguises it. Sounds of a being back in public emerge, and the simple melody may have …
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In mid-August, I spent about a week camping. The majority of the time I was at Mancos State Park. There was a no-burn order for the entire state, so most nights I would sit and read and write until my solar-powered lights grew dim, listen to music via my phone while watching the stars appear in the sky, and I also would sit, drink a beer, and liste…
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The launch of Apollo 6, government stimulus, Angela Davis, colonies on Mars, Malcolm X, explorations of outer space, 1968, futurists, and a remix of suite I, Mars, from The Planets, Op.32, by Gustav Holst. The seven suites of Holst’s The Planets were first played together in September of 1918, during a worldwide pandemic. Time goes slow, is the sec…
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Cosmic Background Radiation, Lenard Bernstein, Angela Davis, IBM Control Programs, Malcom X, DIY synth construction, 1968, James Baldwin and a remix of suite IV Jupiter, from The Planets, Op.32, by Gustav Holst. The seven suites of Holst’s The Planets were first played together in September of 1918, during a worldwide pandemic. You know what you wa…
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