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Cinematographer Quyen Tran, ASC enjoys telling stories that are compelling and have impact and meaning. Q's previous work on the show Unbelievable led showrunner Molly Smith Metzler and executive producer John Wells to ask her to shoot Maid, a limited series for Netflix. Maid deals with the complex issues of poverty, domestic abuse, the working poo…
 
Director of photography Greig Fraser says that cinematographers always strive to create images with dimension, so that audiences are able to experience almost feeling and touching what they are seeing. Film has always had the dimensional and realistic feel that filmmakers appreciate, such as grain and color. But with today's advances in digital fil…
 
Cinematographer Seamus McGarvey is very happy about being a DP, and his love of the job always takes him through the difficult times. When he sees a movie that actually works beautifully on screen, it makes everything worthwhile.The new musical Cyrano is based on the stage play by Erica Schmidt, which caught the attention of director Joe Wright, wh…
 
Cinematographer Dan Laustsen's latest movie with director Guillermo del Toro is the film noir psychological thriller, Nightmare Alley. Unlike many of del Toro's previous films, Nightmare Alley features no monsters or creatures, exploring instead the drama of the monsters within humans. Dan and del Toro had extensive prep and discussion about how to…
 
Legendary cinematographer Robert Elswit has shot a wide range of movies, including Boogie Nights, There Will Be Blood- which won him the Academy Award for Best Cinematography- Magnolia, Good Night and Good Luck, Tomorrow Never Dies, The Bourne Legacy, two Mission Impossible movies, and of course Return of the Living Dead Part 2.Robert's latest film…
 
Jeff Cronenweth, ASC understands that creating a period piece such as the film, Being the Ricardos, involves lighting and set design, period costumes, hair and makeup styles, and of course, positioning the camera. For today's more sophisticated and contemporary audiences, everything must be shot in a more dynamic way than in the staid 1950's style.…
 
Cinematographer Eduard Grau, ASC thinks it's important to take risks in filmmaking because it sparks creativity and passion for what you're doing. Passing director Rebecca Hall had worked with Edu on several films as an actor, and trusted him to bring his creative skill to her first directorial project. Based on the 1929 novel by Nella Larsen, Hall…
 
Cinematographer Miahi Mălaimare Jr. understands the power of images to communicate a feeling right away, and in a more straightforward way than with spoken language. For The Harder They Fall, Mihai discovered that as both a director and a singer-songwriter, Jeymes Samuel communicates through music, and the two enjoyed working together to find the v…
 
Our host Illya Friedman had the opportunity to speak to one of his former film instructors, Jay Rosenblatt at CamerImage back in 2019. Jay taught Super 8 Filmmaking at San Francisco State University and has made over 30 short films. As a member of the jury for the Energa CamerImage film festival in Poland for the past several years, Jay looks for i…
 
Dan Attias has directed dozens of episodes of critically acclaimed television shows such as The Wire, The Sopranos, Homeland, The Marvelous Mrs. Maisel, The Americans, Billions, and many more. His years of experience led him to write the book, Directing Great Television: Inside TV's New Golden Age. The book is not only for those who want to direct,…
 
When director Ruth Platt first wrote and developed Martyrs Lane, it started off as much more of a horror film rather than a psychological thriller. She had the opportunity to develop the film into a feature from a short through BFI, the British Film Institute. In its feature form, Ruth pulled Martyrs Lane into a more unsettling ghost story that's t…
 
After working together for 25 years, cinematographer Robert Yeoman, ASC and director Wes Anderson share a similar aesthetic and creative process. Bob finds he can anticipate what Anderson wants to see and exactly how he wants to shoot things. The trademark of a Wes Anderson movie is a sense of humor and whimsy, and each film has a distinct color pa…
 
Director and writer Potsy Ponciroli was scouting a location for another movie in the countryside just outside Nashville, Tennessee when he saw a historic old house built in the early 1900's at the bottom of a valley. He began thinking about how lonely and isolated a person living in that house might be, and it planted the seed of an idea to write O…
 
The new Netflix movie, The Guilty follows Jake Gyllenhaal as Joe Baylor, an LAPD police detective who has been demoted to working at a call center as a 911 dispatcher. The film was shot during the height of the Covid-19 pandemic in November of 2020 in just 11 days with a very small cast and crew on a controlled soundstage. Additional actors remotel…
 
Using content collaboration tools and being able to share assets remotely has certainly become essential these days. Guest Nate Watkin walks us through his new software, Assemble, which is a complete project management platform for video production teams, from pre-production all the way through post-production. The software is very easy to use and …
 
In our first ever panel series, Ben and Illya speak to cinematographers Ana Amortegui (Resident Alien), Byron Kopman (Demonic), Bryant Fisher (Lenox Hill), and Julia Swain (Lucky) as they discuss their current work, career journeys, creative processes, challenges and career goals.Be sure to check out the video panel on YouTube! Produced in partners…
 
Cinematographer John Guleserian has never liked to be pigeonholed into one genre. He's shot several romantic films, comedy movies and TV series, and with his latest film, Candyman, he can add horror movies to his skill set.After attending film school at Columbia College in Chicago and then AFI, John worked on several small films and web series befo…
 
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