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Nội dung được cung cấp bởi Backlisted Podcast. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Backlisted Podcast hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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The Springs of Affection by Maeve Brennan

1:14:25
 
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Manage episode 347034197 series 1082839
Nội dung được cung cấp bởi Backlisted Podcast. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Backlisted Podcast hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

There can be few writers more deserving of Backlisted’s attention than the Irish writer, Maeve Brennan. An adopted New Yorker, Brennan died there in 1993 and was by that time so thoroughly forgotten in her native land, that she received no obituaries in any Irish papers. We are joined by the writers Sinéad Gleason and David Hayden to discuss her collection, The Springs of Affection – subtitled ‘stories of Dublin’ – which was first published posthumously by Houghton Mifflin in 1997, although all but one of these first appeared in the New Yorker, where Brennan was a staff writer for twenty-seven years. It was the enthusiastic praise from other writers including Alice Munro, Edna O’Brien and Mavis Gallant among others, that helped get The Springs of Affection the kind of international attention that the two collections published in Maeve’s lifetime failed to achieve. Since then, Maeve Brennan’s reputation has grown steadily, and her stories are now regularly and favourably compared to those of Joyce, Chekov and Colette. In Ireland, in particular, she has won the admiration of a new generation of women writers, who in Anne Enright’s phrase, see her as ‘a casualty of old wars not yet won.’ This episode also features Andy revisiting the Linda Nochlin’s classic 1971 essay, Why Have There Been No Great Women Artists? while John is impressed by Orlam, P.J. Harvey’s dark and brooding verse novel, written entirely in Dorset dialect.


Timings: (may differ due to variable advert length)

08:44 - Why Have There Been No Great Women Artists? by Linda Nochlin

16:16 - Orlam by P.J. Harvey

22:46 - The Springs Of Affection By Maeve Brennan


* To purchase any of the books mentioned in this episode please visit our bookshop at https://uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.

* For information about everything mentioned in this episode visit www.backlisted.fm

* If you'd like to support the show, receive the show early and get extra bonus fortnightly episodes, become a Patreon at https://www.patreon.com/backlisted


Hosted on Acast. See acast.com/privacy for more information.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

228 tập

Artwork

The Springs of Affection by Maeve Brennan

Backlisted

700 subscribers

published

iconChia sẻ
 
Manage episode 347034197 series 1082839
Nội dung được cung cấp bởi Backlisted Podcast. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Backlisted Podcast hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

There can be few writers more deserving of Backlisted’s attention than the Irish writer, Maeve Brennan. An adopted New Yorker, Brennan died there in 1993 and was by that time so thoroughly forgotten in her native land, that she received no obituaries in any Irish papers. We are joined by the writers Sinéad Gleason and David Hayden to discuss her collection, The Springs of Affection – subtitled ‘stories of Dublin’ – which was first published posthumously by Houghton Mifflin in 1997, although all but one of these first appeared in the New Yorker, where Brennan was a staff writer for twenty-seven years. It was the enthusiastic praise from other writers including Alice Munro, Edna O’Brien and Mavis Gallant among others, that helped get The Springs of Affection the kind of international attention that the two collections published in Maeve’s lifetime failed to achieve. Since then, Maeve Brennan’s reputation has grown steadily, and her stories are now regularly and favourably compared to those of Joyce, Chekov and Colette. In Ireland, in particular, she has won the admiration of a new generation of women writers, who in Anne Enright’s phrase, see her as ‘a casualty of old wars not yet won.’ This episode also features Andy revisiting the Linda Nochlin’s classic 1971 essay, Why Have There Been No Great Women Artists? while John is impressed by Orlam, P.J. Harvey’s dark and brooding verse novel, written entirely in Dorset dialect.


Timings: (may differ due to variable advert length)

08:44 - Why Have There Been No Great Women Artists? by Linda Nochlin

16:16 - Orlam by P.J. Harvey

22:46 - The Springs Of Affection By Maeve Brennan


* To purchase any of the books mentioned in this episode please visit our bookshop at https://uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.

* For information about everything mentioned in this episode visit www.backlisted.fm

* If you'd like to support the show, receive the show early and get extra bonus fortnightly episodes, become a Patreon at https://www.patreon.com/backlisted


Hosted on Acast. See acast.com/privacy for more information.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

228 tập

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