May the force Be With KPM (KPM subseries, part one) (ism.)

Bossa bom dia [Tilos Rádió podcast]

May the force Be With KPM (117:05, 256kbps, 225MB)
[see the more simple/traditional style tracklist – with only the artists’ names and track titles – below, at the bottom of this post, thanks]

01 Alan Parker / Alan Hawkshaw – Autopulse (“Complex mechanical rhythm”) 1:41
from Beat Industrial, KPM1079: “New sounds specially conecived for documentary and industrial application”
02 John Cameron – Underlying Expectancy (“Light neutral underscore with underlying tension”) 4:14
from Jazzrock, BEWITH059LP/KPM1097: “A dramatic suite of themes, montages, sequences and generics”
03 Jean Bouchéty – Taking Off (version 1) (“Powerful uptempo theme featuring voices”) 2:31
from The Magic of Bouchety, KPM1109: “Spectacular contemporary themes scored for full orchestra”
04 Johnny Pearson – Action in Memphis (“Vibrant theme with plenty of points for exciting cutting”) 2:11
from Life Is For Living, KPM1110: “Impact themes for titles and montages”
05 Alan Hawkshaw – Traffic (“Forceful underscore with cutting points”) 3:12
from Move With The Times, KPM 1122: “Contemporary, brash, aggressive”
06 John Cameron – Swamp Fever (“Heavy funky pop with Afro percussion”) 2:07
from Afro Rock, BEWITH058LP/KPM1130: “Hard Afro pop featuring large percussive rhythm section and front line”
07 Brian Bennett – Image (“Reflective scenic underscore which grows to full orchestra. Ends as beginning”) 4:29
from Image, KPM1141: “Imaginitive descriptive scores, active and passive”
08 Brian Bennett – The Investigator (“Aggressive medium pace underscore”) 3:22
from The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157: “Composite theme and incidental cues for drama application”
09 Dave Richmond – Confunktion (“Heavy fuzz guitar riff escalation to climax at 0:40; bizarre middle section, reverting to fuzz build, and sustained tail”) 4:33
from Rock Spectrum, KPM1163: “Varied styles in contemporary rock and pop music”
10 Alan Hawkshaw – Towards Tomorrow (“Building sequences. Starts quiet anticipation, grows to full exuberant theme”) 3:13
from Sounds Of The Times, KPM1170: “Contemporary scores featuring strong rhythm section with brass, woodwind or strings”
11 Brian Bennett – Corridors Of Power (“Brass fanfare to gradual build from solo guitar to full orchestra – achievement motif”) 3:35
from Impact, KPM1171: “Hard-hitting dramatic themes in a serious vein”
12 Brian Bennett – Nuplex (“Punctuated intercuttin underscore with reflective elements”) 3:59
from Visual Impact, BEWITH071LP/KPM1172: “Descriptive scores for scenes of visual impact”
13 James Clarke – Life Of Luxury (“Rich, luxurient”) 2:25
from Tender Emotions, KPM1180: “Tender and romantic orchestral moods”
14 Keith Mansfield – Crash Course (“Building Brass to fast dangerous action or chase”) 2:40
from Vivid Underscores, KPM1190: “Contemporary scores for visual effect”
15 Alan Hawkshaw ‎– Mystique Voyage (“Exotic dreamy”) 2:45
from The Road Forward, KPM1192: “A comprehensive collection of descriptive contemporary scores”
16 S. Benson – God Rest You Merry Gentlemen (“Traditional opening into contemporary arrangement”) 2:00
from The Spirit of Christmas, KPM1213: “The Vocal and Instrumental Celebration of Christmas in Traditional Modern Styles”
17 Alan Parker / Alan Hawkshaw – Day Shift (“Light percussive activity”) 1:54 (Beat Industrial, KPM1079) 1:54
18 John Cameron – No Place To Go (“Light reflective underscore with activity”) (Jazzrock, BEWITH059LP/KPM1097) 2:52
19 Jean Bouchéty – Chicago Generator (“Heavy medium pace flamboyant rock”) (The Magic of Bouchety, KPM1109) 2:50
20 Johnny Pearson – Back Beat (“Aggressive percussive theme”) (Life Is For Living, KPM1110) 1:53
21 Alan Hawkshaw – Here Comes The Blues (“Slow groovy organ solo”) (Move With The Times, KPM 1122) 3:30
22 John Cameron – Afro Metropolis (“Busy rhythmic underscore – Afro percussion”) (Afro Rock, BEWITH058LP/KPM1130) 2:34
23 D. Gold / G. Rees – Forbidden Fruit (“Evocative dramatic theme”) (Image, KPM1141) 2:19
24 Brian Bennett – Hideout (“Suspensed tension. Build to tail end”) (The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157) 2:55
25 Brian Bennett – Samba School (“Festive samba”) (Rock Spectrum, KPM1163) 2:20
26 Alan Hawkshaw – Challenger (“Smooth front line over brooding insistent rhythm”) (Sounds Of The Times, KPM1170) 4:18
27 Chris Gunning – Tough Assignment (“Tough, affressive”) (Impact, KPM1171) 2:33
28 John Scott – Canaveral Scape (“Massive objects”) (Visual Impact, BEWITH071LP/KPM1172) 2:42
29 James Clarke – Tenderly Yours (“Warm, pleasant”) (Tender Emotions, KPM1180) 2:38
30 Keith Mansfield – Dawn of Aquarius (“Impressive, futuristic, grandiose”) (Vivid Underscores, KPM1190) 2:50
31 Alan Hawkshaw ‎– Man Of Means (“Sophisticated enjoyment”) (The Road Forward, KPM1192) 3:12
32 Alan Parker / Alan Hawkshaw – Soft Image b. (“As above with brass drone”) (Beat Industrial, KPM1079) 2:14
33 John Cameron – Four O’Clock Earthquake (“Powerful uptempo theme written in sequences of progressive builds to full climax”) (Jazzrock, BEWITH059LP/KPM1097)
34 Johnny Pearson – Thunderbird (“Determined exciting action”) (Life Is For Living, KPM1110) 2:02
35 Alan Hawkshaw – Undergroove (“Determined mechanical underscore”) (Move With The Times, KPM 1122) 2:28
36 John Cameron – Survival (“Heavy pounding Afro pop rhythm under flute melody”) (Afro Rock, BEWITH058LP/KPM1130) 2:49
37 Neil Richardson – Crystal Ball (“Static scenes – quizical”) (Image, KPM1141) 2:38
38 Brian Bennett – Speed Trap (“Forceful chase or fight”) (The Hunter (Drama Suite) / Adventure Story, BEWITH072LP/KPM1157) 0:53
39 Brian Bennett – Quantum (“Bizarre wild sounds over insistant pop rhythm” (Rock Spectrum, KPM1163) 4:55
40 Alan Hawkshaw – Sunshine Special (“Happy, exuberant”) (Sounds Of The Times, KPM1170) 1:55
41 Keith Mansfield – The Contract (“Rugged medium pace dramatic theme”) (Impact, KPM1171) 3:25
42 John Scott – Flight Of The Phoenix (“Incessant emergence”) (Visual Impact, BEWITH071LP/KPM1172) 2:49

May the force Be With KPM (117:05, 256kbps, 225MB)
01 Alan Parker / Alan Hawkshaw – Autopulse
02 John Cameron – Underlying Expectancy
03 Jean Bouchéty – Taking Off (version 1)
04 Johnny Pearson – Action in Memphis
05 Alan Hawkshaw – Traffic
06 John Cameron – Swamp Fever
07 Brian Bennett – Image
08 Brian Bennett – The Investigator
09 Dave Richmond – Confunktion
10 Alan Hawkshaw – Towards Tomorrow
11 Brian Bennett – Corridors Of Power
12 Brian Bennett – Nuplex
13 James Clarke – Life Of Luxury
14 Keith Mansfield – Crash Course
15 Alan Hawkshaw ‎– Mystique Voyage
16 S. Benson – God Rest You Merry Gentlemen
17 Alan Parker / Alan Hawkshaw – Day Shift
18 John Cameron – No Place To Go
19 Jean Bouchéty – Chicago Generator
20 Johnny Pearson – Back Beat
21 Alan Hawkshaw – Here Comes The Blues
22 John Cameron – Afro Metropolis
23 D. Gold / G. Rees – Forbidden Fruit
24 Brian Bennett – Hideout
25 Brian Bennett – Samba School
26 Alan Hawkshaw – Challenger
27 Chris Gunning – Tough Assignment
28 John Scott – Canaveral Scape
29 James Clarke – Tenderly Yours
30 Keith Mansfield – Dawn of Aquarius
31 Alan Hawkshaw ‎– Man Of Means
32 Alan Parker / Alan Hawkshaw – Soft Image b.
33 John Cameron – Four O’Clock Earthquake
34 Johnny Pearson – Thunderbird
35 Alan Hawkshaw – Undergroove
36 John Cameron – Survival
37 Neil Richardson – Crystal Ball
38 Brian Bennett – Speed Trap
39 Brian Bennett – Quantum
40 Alan Hawkshaw – Sunshine Special
41 Keith Mansfield – The Contract
42 John Scott – Flight Of The Phoenix