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Nội dung được cung cấp bởi Phil Freeman. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Phil Freeman hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Cindy Blackman Santana

57:28
 
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Manage episode 428122846 series 2113766
Nội dung được cung cấp bởi Phil Freeman. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Phil Freeman hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Cindy Blackman Santana is originally from Ohio, came to the East Coast to study at Berklee and at the Hartt School of Music, moved to New York in the late '80s and has played and recorded with a ton of people across the spectrum of jazz and rock ever since. She’s made a slew of albums under her own name, including some featuring saxophonist and longtime friend of Burning Ambulance JD Allen; she toured off and on with Pharoah Sanders; she was the drummer for Spectrum Road, a tribute to Tony Williams Lifetime that featured guitarist Vernon Reid, who’s also been on this podcast, plus keyboardist John Medeski, and bassist Jack Bruce. And she’s probably best known to a lot of people for being Lenny Kravitz’s touring drummer for many, many years, but what some people may not know is that she did not play drums on his records — he plays drums on his records. So part of our interview gets into the question of how you make music your own when you’re playing someone else’s parts.

We also talk about her time working with Pharoah Sanders, and recording with Joe Henderson; we talk about her admiration for Tony Williams, and she gives her analysis of the changes in his style over the course of his career and how those manifested in the changes to his kit; we talk about how to lock in with a bassist, the difference in mindset between playing jazz and rock, and much more. This was a really interesting conversation. Unfortunately, it was cut short.

Around 45 minutes in, my internet cut out and took our Zoom call with it. So you’ll hear a sudden fade right as we start talking about the 2019 Santana album Africa Speaks, on which Cindy Blackman Santana plays. So what I’ve done is gone back into my archives and pulled up an interview I did with Carlos Santana when that record came out, and we talk about it, and also about her contributions to the band’s music and his feelings about playing with her. I think it’s a valuable addendum to this conversation, and I hope you enjoy the whole episode. Thanks as always for listening.

  continue reading

85 tập

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Cindy Blackman Santana

Burning Ambulance Podcast

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iconChia sẻ
 
Manage episode 428122846 series 2113766
Nội dung được cung cấp bởi Phil Freeman. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Phil Freeman hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Cindy Blackman Santana is originally from Ohio, came to the East Coast to study at Berklee and at the Hartt School of Music, moved to New York in the late '80s and has played and recorded with a ton of people across the spectrum of jazz and rock ever since. She’s made a slew of albums under her own name, including some featuring saxophonist and longtime friend of Burning Ambulance JD Allen; she toured off and on with Pharoah Sanders; she was the drummer for Spectrum Road, a tribute to Tony Williams Lifetime that featured guitarist Vernon Reid, who’s also been on this podcast, plus keyboardist John Medeski, and bassist Jack Bruce. And she’s probably best known to a lot of people for being Lenny Kravitz’s touring drummer for many, many years, but what some people may not know is that she did not play drums on his records — he plays drums on his records. So part of our interview gets into the question of how you make music your own when you’re playing someone else’s parts.

We also talk about her time working with Pharoah Sanders, and recording with Joe Henderson; we talk about her admiration for Tony Williams, and she gives her analysis of the changes in his style over the course of his career and how those manifested in the changes to his kit; we talk about how to lock in with a bassist, the difference in mindset between playing jazz and rock, and much more. This was a really interesting conversation. Unfortunately, it was cut short.

Around 45 minutes in, my internet cut out and took our Zoom call with it. So you’ll hear a sudden fade right as we start talking about the 2019 Santana album Africa Speaks, on which Cindy Blackman Santana plays. So what I’ve done is gone back into my archives and pulled up an interview I did with Carlos Santana when that record came out, and we talk about it, and also about her contributions to the band’s music and his feelings about playing with her. I think it’s a valuable addendum to this conversation, and I hope you enjoy the whole episode. Thanks as always for listening.

  continue reading

85 tập

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