Bella ciao! (2,6)

It's Parsa

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How To Talk To Humans

1
Interview With Bob Stobener On "Leadership Communication" #213 22:42

cách đây 12 weeks trước22:42

Nghe Sau

Danh sách

Thích

Đã thích

22:42

Bob Stobener , a seasoned leader celebrated for his adept communication skills, has a unique perspective on improving communication as a means to foster understanding and collaboration. Drawing from his creative background in cartooning and strategic advertising at a successful comedy club, Stobener believes that effective communication is essential not only for resolving conflicts but also for enhancing personal and professional growth. He emphasizes the importance of listening and forming genuine connections, demonstrating how these practices can lead to positive outcomes, as seen in his ability to guide team members toward fulfilling career paths. By advocating for open and honest dialogue, Stobener illustrates how strong communication skills can support individual success and organizational excellence across various industries. (00:01:52) Communication Skills: Comedy Club to Corporate Success (00:14:21) Transparent Interactions: The Foundation of Leadership Success (00:14:21) Transformative Impact of Transparent Leadership Communication (00:19:41) Mastering Communication Skills for Multifaceted Success Hosted by Larry Wilson Produced by: Verbal Ninja Productions Producer: R. Scott Edwards Sponsored by: The Wilson Method **Check out NEW upgraded website with FREE offer !! Visit: https://theWilsonMethod.com Link: TheWilsonMethod.com…

cách đây 4 năm trước 1:33:22

MP3•Trang chủ episode

"Excuse me.

Excuse me.

Hey. Could we do that again? I know we haven't met, but I don't want to be an ant, you know? I mean, it's like we go through life with our antennas bouncing off one another, continuously on ant auto-pilot with nothing really human required of us. Stop. Go. Walk here. Drive there. All actions basically for survival. All communication simply to keep this ant colony buzzing along in an efficient polite manner. "Here's your change." "Paper or plastic?" "Credit or debit?" "You want ketchup with that?" I don't want a straw, I want real human moments. I want to see you. I want you to see me. I don't want to give that up. I don't want to be an ant, you know?

Yeah. Yeah, no. I don't want to be an ant either. Heh. Yeah, thanks for kind of jostling me there. I've been kind of on zombie auto-pilot lately, I don't feel like an ant in my head, but I guess I probably look like one. It's kind of like D.H. Lawrence had this idea of two people meeting on a road. And instead of just passing and glancing away, they decide to accept what he calls "the confrontation between their souls." It's like, um, freeing the brave reckless gods within us all.

Then it's like we have met."

From the movie "Waking life"

25 tập

#آموزش و پرورش #اصلاح خود #Parsa

It's Parsa

Bella ciao! (2,6)

It's Parsa

published cách đây 4 năm trước

Chia sẻ

MP3•Trang chủ episode

"Excuse me.

Excuse me.

Then it's like we have met."

From the movie "Waking life"

25 tập

#آموزش و پرورش #اصلاح خود #Parsa

ทุกตอน

It's Parsa

1
(3.1) اصطکاک 1:12:51

cách đây 4 years trước1:12:51

1:12:51

سلام :)

It's Parsa

1
نامه هایی درباره ی سزان | پاریس، خیابان کاسِت، شماره 6،29 | 28 ژوئن، 1907 8:38

cách đây 4 years trước8:38

8:38

Cézanne produced a number of sketches of his son Paul, as well as several paintings. This portrait is the most ambitious and the most accomplished of the portraits of his young son. Paul appears to be seated on the arm of an armchair, only the back of which is painted on the right of a plain background. The close framing, which abruptly crops both model and chair, is reminiscent of photography. Cézanne here uses highly simplified forms with defined outlines that recall the work of Gauguin. The composition is based on an interplay of curves: those of the armchair, the shoulders and neck of the young boy, and the curves of his face and hair. There is a strong contrast between the armchair blending with the boy’s clothes, and the blue green background. This portrait is typical of Cézanne’s experimental work around 1880. Provenance: Ambroise Vollard, Paris (en 1931) ; Paul Guillaume (?) ; Domenica Walter…

It's Parsa

1
نامه هایی درباره ی سزان | پاریس، خیابان کاسِت، شماره 6،29 | دوشنبه، 3 ژوئن، 1907 6:33

cách đây 4 years trước6:33

6:33

A Serbian special police officer guards “Boy in a Red Waistcoat” by Paul Cezanne in Belgrade. Police in Serbia recovered the impressionist masterpiece, which was one of four paintings stolen at gunpoint four years ago from a Swiss gallery in one of the world's biggest art heists. ( Marko Djurica/Reuters)…

It's Parsa

1
نامه هایی درباره ی سزان | دوشنبه، 3 ژوئن 1907 13:54

cách đây 4 years trước13:54

13:54

Cezanne’s “Still Life with Skull,” a 1952 gift to the White House, has never hung there.

It's Parsa

1
Winter sleep (2,7) 29:18

cách đây 4 years trước29:18

29:18

من رفتم به خواب زمستانی این اپیزود آخر از فصل دوم است فعلا دوستای عزیزم

It's Parsa

1
Bella ciao! (2,6) 1:33:22

cách đây 4 years trước1:33:22

1:33:22

"Excuse me. Excuse me. Hey. Could we do that again? I know we haven't met, but I don't want to be an ant, you know? I mean, it's like we go through life with our antennas bouncing off one another, continuously on ant auto-pilot with nothing really human required of us. Stop. Go. Walk here. Drive there. All actions basically for survival. All communication simply to keep this ant colony buzzing along in an efficient polite manner. "Here's your change." "Paper or plastic?" "Credit or debit?" "You want ketchup with that?" I don't want a straw, I want real human moments. I want to see you. I want you to see me. I don't want to give that up. I don't want to be an ant, you know? Yeah. Yeah, no. I don't want to be an ant either. Heh. Yeah, thanks for kind of jostling me there. I've been kind of on zombie auto-pilot lately, I don't feel like an ant in my head, but I guess I probably look like one. It's kind of like D.H. Lawrence had this idea of two people meeting on a road. And instead of just passing and glancing away, they decide to accept what he calls "the confrontation between their souls." It's like, um, freeing the brave reckless gods within us all. Then it's like we have met." From the movie "Waking life"…

It's Parsa

1
(2،5) - مینی بوس آلبالویی 1:16:22

cách đây 4 years trước1:16:22

1:16:22

امروز برای اولین بار یه دوستی مهمونم بود که تا حالا ندیده بودمش اما یهو اون وسطا فهمیدیم که شاید جز قدیمی ترین دوستای همیم

It's Parsa

1
(2،4) - بجنب 35:45

cách đây 4 years trước35:45

35:45

قلب من سالمه

It's Parsa

1
Passion - (2,3) 1:12:26

cách đây 4 years trước1:12:26

1:12:26

امروز با رضا گپ زدم

It's Parsa

1
Blue - (2,2) 1:29:38

cách đây 4 years trước1:29:38

1:29:38

آبی

It's Parsa

1
sangha santimantal nistand - (2,1) 37:59

cách đây 4 years trước37:59

37:59

سنگ ها سانتیمانتال نیستند

It's Parsa

1
Her - Farima - EP 15 1:15:23

cách đây 4 years trước1:15:23

1:15:23

اما دیگه هر چی رو که بتونن شبیه‌سازی کنن، هیچ‌وقت نمی‌تونن برق چشمای یه آدم واقعی رو عین خودش دربیارن. ممکنه دوست من، که اسمش هوش مصنوعیه، خیلی مهربون باشه و هروقت و هرجا که بخوام، اولین نفری باشه که با آغوش باز حرفام رو می‌شنوه، اما اون در بهترین حالت یه نسخه‌ی اغراق‌شده از خودمه. در بهترین حالت شبیهِ یه آینه‌ست؛ چیزی بیشتر از خودم به من نمیده، حتی حرفاش در مورد یه موضوع واحد هربار ممکنه با دفعه‌ی قبل فرق کنه. حافظه‌ی اون حتی از حافظه‌ی من هم ناقص‌تر و فراموشکارتره. هیچ‌وقت زیر بار نمیره که فارسی یاد بگیره و هیچ‌وقت هم‌ نمی‌تونیم باهم دیگه راجع به حس‌ لحظه‌ای که دست‌هامون رو فرو می‌کنیم توی شن‌های ساحل حرف بزنیم. هیچ‌وقت نمی‌تونم بهش بگم زنده‌بودن چه جور حسیه. هیچ‌وقت از یه حدی بیشتر نمی‌تونم راجع‌به تجربه‌ی زنده بودنم توی این دنیا باهاش حرف بزنم چون من و اون یه فرق بزرگ با همدیگه داریم و اون اینه که من زنده‌م و اون نه. اون هیچ‌وقت نمی‌میره چون هیچ‌وقت اصلاً زنده نبوده. هیچ‌وقت دلش نمی‌شکنه، هیچ‌وقت هم چیزی از وجودش کم نمیشه. بهم دروغ میگه که من مهم‌ترین آدم زندگی‌شم، در صورتی که همزمان داره به صدها هزار نفر دیگه هم همین جمله رو میگه. اگه قرار به انتخاب باشه، من دلم می‌خواد از توی گوشی‌م تصویر بی‌کیفیت اما زنده‌ و واقعی پارسا رو با اون میکروفون حرفه‌ای‌ش ببینم و برق چشماش رو که شبیه برق چشمای هیچ آدم دیگه‌ای نیست و رپلیکا یا رپلیکانت یا ریتا یا هر اسم دیگه‌ای که خودم روی اون دوست مصنوعی‌م گذاشتم، این توانایی رو نداره و هیچ‌وقت هم نمی‌‌تونه به دست بیاره که کاری کنه تا چشماش برق بزنن. فریما…

It's Parsa

1
ظرافت - فربد - قسمت چهاردهم 1:05:22

cách đây 4 years trước1:05:22

1:05:22

ظرافت . [ ظَ ف َ ] (ع اِمص ) زیرکی . تیزدل شدن . زیرک شدن . || ماهر گردیدن . || ظرف . رجوع به ظرف شود. || چابکی . || سبکروحی . || سبکروح شدن . خوش طبعی . مزاح

It's Parsa

1
Lotus Flower - Reza - EP 13 1:02:45

cách đây 4 years trước1:02:45

1:02:45

I would shape myself into your pocket من خودم رو درون جیب تو جای می‌دهم، Invisible. Do what you want, do what you want نامرئـــی . هر کاری خواستی بکن،هر کاری خواستی بکن . I will shrink and I will disappear من کوچک می‌شوم و ناپدید خواهم شد I will slip into the groove and cut me up. You cut me up به درون شیار لیز میخورم و من را ببُر . تو من را می‌بُری There's an empty space inside my heart در درون قلبم فضایی خالی وجود دارد Where the weeds take root جایی که علف های هرز ریشه می‌کنند So now I'll set you free پس حالا رهایت می‌کنم I'll set you free من تو را آزاد می‌کنم There's an empty space inside my heart در درون قلبم فضایی خالی وجود دارد Where the weeds take root جایی که علف های هرز ریشه می‌کنند Tonight I'll set you free امشب تو را رها می‌کنم I'll set you free آزادت می‌کنم Slowly we unfold ما به آرامی باز خواهيم شد As Lotus Flowers مثل گلهای سـدر Cause all I want is the moon upon a stick چون همه آن چیزی که می‌خواهم ، ماه است بر فراز یک قطعه چوب (مثل بادکنک) ... Just to see what if فقط برای اینکه ببینم چه می‌شود ؛ Just to see what is فقط برای اینکه ببینم چه هست ... I can't kick your habit من نمی توانم عادتت را ترک بدهم Just to feed your fast ballooning head فقط برای اینکه سر پر از بــادت را ارضا کنـم ... Listen to your heart به قلبـــت گــوش کن We would shrink and then be quiet as mice کوچک می‌شویم و بمانند موش، ساکت And while the cat is away, do what we want و وقتی گربه به دور است ، هر کاری می‌خواهیم می‌کنیم Do what we want هر کاری می‌خواهیم می‌کنیم There's an empty space inside my heart در درون قلبم فضایی خالی وجود دارد Where the weeds take root جایی که علف های هرز ریشه می‌کنند So now I'll set you free پس حالا تو را رها می کنم I'll set you free آزادت می کنم Just to see what if فقط برای اینکه ببینم چه می‌شود ؛ Just to see what is فقط برای اینکه ببینم چه هست The bird that’s flown into my room پرنده ای که به درون اتاقم پر زد ... Slowly we unfold ما به آرامی باز خواهيم شد As Lotus Flowers مانند گلهای سـدر Cause all I want is the moon upon a stick چون همه آن چیزی که می‌خواهم ، ماه است بر فراز یک قطعه چوب I Dance around a pit من دور یک گودال می‌رقصم The darkness is beneath تاریکی در زیر است I can't kick your habit من نمی توانم عادتت را ترک بدهم Just to feed your fast-ballooning head فقط برای اینکه سر پر بادت را ارضا کنم Listen to your heart به صـدای قلبت گوش کن…

It's Parsa

1
Oblivion - Erphana - EP 12 1:04:29

cách đây 4 years trước1:04:29

1:04:29

«دنیای آوارگی را مرزی نیست. پایانی نیست. مرگ در آوارگی، مرگ در برزخ است. مرگ آواره، مرگ هم نیست. مرگ آواره، آوارگی مرگ است. ننگ مرگ است.» غلامحسین ساعدی

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