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Wicked Turns 20: "This show was my entire personality" | with Alexis Scheer | Episode 14

1:12:58
 
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Nội dung được cung cấp bởi Partial View Podcast. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Partial View Podcast hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Happy 20th Birthday to Wicked! On this Wonderful episode, Alex and Danielle have a Swankified time chatting with playwright Alexis Scheer (it's good to see her, isn't it?) about how this ever-Popular musical has changed theatre For Good. They get into topics like female-female friendships in media, the political and witchy themes of the show, its influence on theatremakers of a millennial age, and all that good Shiz. And of course, we answer the age-old (read: twenty-year-old) question: would you play Elphaba or G(a)linda?

  • 03:21 - What we've been enjoying
  • 07:44 - Background and history of Wicked, and each of our personal histories with the show.
  • 21:00 - Discussion of why Wicked holds up so well and why it still elicits such strong emotional responses from people.
  • 31:30 - The singularity of Wicked as a show that represents a close female friendship and being unable to find other examples from musical theatre history.
  • 41:05 - How Wicked and contemporary playwrights put a positive spin on tropes about witches, including Alexis' play Our Dear Dead Drug Lord.
  • 47:40 - Sharing who each of our formative childhood witches were.
  • 53:20 - Final thoughts on how Wicked has influenced Alexis' work and how the show is distinctly of a post-9/11 time.
  • 56:00 - Discussion of the politics of Wicked and how it influenced our own views.

Alexis Scheer is a playwright and TV writer from Miami, Florida. Her breakout play was the Off Broadway hit OUR DEAR DEAD DRUG LORD (WP Theater/Second Stage: NYT Critics Pick, John Gassner Award; LTC Carnaval of New Latinx Work; Kilroy’s List), and she recently made her Broadway debut adapting the book for Andrew Lloyd Webber’s BAD CINDERELLA. Her other plays include LAUGHS IN SPANISH (Kennedy Center’s Harold & Mimi Steinberg Award) and CHRISTINA (Roe Green Award; O’Neill Finalist). Her work has been developed at the Kennedy Center, Oregon Shakespeare Festival, McCarter Theatre Center, Boston Playwrights’ Theatre, and more. Alexis is currently under commission by Second Stage, MTC, Miami New Drama, and Seaview. Television: “Pretty Little Liars: Original Sin” (HBO Max), and projects developed for HBO Max and Salma Hayek’s Ventanarosa.

Alexis's Website

@alexisscheer on Twitter

References and Links


Find us:

Danielle: Twitter | Instagram

Alex: Twitter | Instagram

Find Partial View:

Website | Instagram | Twitter | Facebook

And, if you love what you're hearing and want to support us, head over to our Patreon at www.patreon.com/partialviewpod.

Music by Scott Buckley – www.scottbuckley.com.au

  continue reading

22 tập

Artwork
iconChia sẻ
 
Manage episode 380970750 series 3502192
Nội dung được cung cấp bởi Partial View Podcast. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Partial View Podcast hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Happy 20th Birthday to Wicked! On this Wonderful episode, Alex and Danielle have a Swankified time chatting with playwright Alexis Scheer (it's good to see her, isn't it?) about how this ever-Popular musical has changed theatre For Good. They get into topics like female-female friendships in media, the political and witchy themes of the show, its influence on theatremakers of a millennial age, and all that good Shiz. And of course, we answer the age-old (read: twenty-year-old) question: would you play Elphaba or G(a)linda?

  • 03:21 - What we've been enjoying
  • 07:44 - Background and history of Wicked, and each of our personal histories with the show.
  • 21:00 - Discussion of why Wicked holds up so well and why it still elicits such strong emotional responses from people.
  • 31:30 - The singularity of Wicked as a show that represents a close female friendship and being unable to find other examples from musical theatre history.
  • 41:05 - How Wicked and contemporary playwrights put a positive spin on tropes about witches, including Alexis' play Our Dear Dead Drug Lord.
  • 47:40 - Sharing who each of our formative childhood witches were.
  • 53:20 - Final thoughts on how Wicked has influenced Alexis' work and how the show is distinctly of a post-9/11 time.
  • 56:00 - Discussion of the politics of Wicked and how it influenced our own views.

Alexis Scheer is a playwright and TV writer from Miami, Florida. Her breakout play was the Off Broadway hit OUR DEAR DEAD DRUG LORD (WP Theater/Second Stage: NYT Critics Pick, John Gassner Award; LTC Carnaval of New Latinx Work; Kilroy’s List), and she recently made her Broadway debut adapting the book for Andrew Lloyd Webber’s BAD CINDERELLA. Her other plays include LAUGHS IN SPANISH (Kennedy Center’s Harold & Mimi Steinberg Award) and CHRISTINA (Roe Green Award; O’Neill Finalist). Her work has been developed at the Kennedy Center, Oregon Shakespeare Festival, McCarter Theatre Center, Boston Playwrights’ Theatre, and more. Alexis is currently under commission by Second Stage, MTC, Miami New Drama, and Seaview. Television: “Pretty Little Liars: Original Sin” (HBO Max), and projects developed for HBO Max and Salma Hayek’s Ventanarosa.

Alexis's Website

@alexisscheer on Twitter

References and Links


Find us:

Danielle: Twitter | Instagram

Alex: Twitter | Instagram

Find Partial View:

Website | Instagram | Twitter | Facebook

And, if you love what you're hearing and want to support us, head over to our Patreon at www.patreon.com/partialviewpod.

Music by Scott Buckley – www.scottbuckley.com.au

  continue reading

22 tập

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