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Radhika Jones (Editor: Vanity Fair)
Manage episode 402563994 series 3462765
Introducing our new podcast all about the future of magazines — and the magazines of the future. Check out episode 1, our interview with Vanity Fair editor-in-chief Radhika Jones.
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Radhika Jones was named editor in chief of Vanity Fair in November 2017, the fifth editor in the magazine’s storied history. Her hiring was met with some surprise, and more than a little skepticism. The Guardian called her bookish, as if that’s an insult.
She arrived at Vanity Fair from a path that included stints at The New York Times where she was the editorial director of the book section and Time magazine where she managed the Time 100, as well as The Paris Review, Art Forum, Book Forum, and Grand Street.
Now, more than six years later, Jones sits at the center of a massive media ecosystem that encompasses digital, social, print, video, and experiential platforms. The magazine has been called the curator of American culture, and sits under the flagship of Condé Nast. The good news is the numbers, including print, are not just good, they’re up across all platforms.
We caught up with Jones after she had put Vanity Fair’s flagship Hollywood issue to bed, but before the whirlwind of events that culminates in the very famous party the magazine hosts once the Oscars are done. The Hollywood issue is out today.
Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2024
69 tập
Manage episode 402563994 series 3462765
Introducing our new podcast all about the future of magazines — and the magazines of the future. Check out episode 1, our interview with Vanity Fair editor-in-chief Radhika Jones.
—
Radhika Jones was named editor in chief of Vanity Fair in November 2017, the fifth editor in the magazine’s storied history. Her hiring was met with some surprise, and more than a little skepticism. The Guardian called her bookish, as if that’s an insult.
She arrived at Vanity Fair from a path that included stints at The New York Times where she was the editorial director of the book section and Time magazine where she managed the Time 100, as well as The Paris Review, Art Forum, Book Forum, and Grand Street.
Now, more than six years later, Jones sits at the center of a massive media ecosystem that encompasses digital, social, print, video, and experiential platforms. The magazine has been called the curator of American culture, and sits under the flagship of Condé Nast. The good news is the numbers, including print, are not just good, they’re up across all platforms.
We caught up with Jones after she had put Vanity Fair’s flagship Hollywood issue to bed, but before the whirlwind of events that culminates in the very famous party the magazine hosts once the Oscars are done. The Hollywood issue is out today.
Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2024
69 tập
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