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Creative Nonfiction #2: Sophie Fiennes on Four Quartets and documenting live theatre

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In the second episode of our Creative Nonfiction Film podcast season, Sophie Fiennes discusses The Four Quartets and how she approaches documenting live performance on screen. In The Four Quartets, she captures the stage play of the same name, directed by and starring her brother, actor Ralph Fiennes. For the production, Ralph Fiennes adapted the T.S. Eliot poem for the stage — which was never originally intended to be performed that way — and then toured this production around the UK in 2021.

Sophie Fiennes’s film of The Four Quartets is neither live capture nor a full adaptation of the play. Instead, Fiennes remarkably documents the theatre production on screen, maintaining all the original lighting and blocking. Her choices of framing and camera movement really puts us in the black box theatre with Ralph Fiennes. Unlike most recorded theatre, where there is a constant sense of information loss, Sophie Fiennes gives us a sense of the theatrical space so we get a better sense of what we’re missing when we’re missing it. It’s built into Sophie Fiennes’s direction.

Sophie Fiennes discusses Ralph Fiennes’s production, the challenges of documenting the play on screen, and how working with Declan Donnellan of Cheek by Jowl just before she shot The Four Quartets changed how she thinks about acting and theatre.

Click here to read the episode show notes.

The show notes also include excerpts from Sophie Fiennes's director's script.

You will also find an AI-generated transcript in the show notes.

Useful links More on creative nonfiction

Download a FREE excerpt from Subjective Realities here.

Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here.

Get your copy of the ebook In their own words: Documentary Masters vol. 1

Become a Member

All of our episodes that are over 6 months old are available to members only.

We also regularly record members only episodes.

To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member.

As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast.

Related Episodes on creative nonfiction

Members Only Episodes

Credits

Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste.

Email us at contact seventh row com.

This episode was edited, produced, and recorded by Alex Heeney.

  continue reading

92 tập

Artwork
iconChia sẻ
 
Manage episode 364774888 series 3423175
Nội dung được cung cấp bởi Seventh Row. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Seventh Row hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

In the second episode of our Creative Nonfiction Film podcast season, Sophie Fiennes discusses The Four Quartets and how she approaches documenting live performance on screen. In The Four Quartets, she captures the stage play of the same name, directed by and starring her brother, actor Ralph Fiennes. For the production, Ralph Fiennes adapted the T.S. Eliot poem for the stage — which was never originally intended to be performed that way — and then toured this production around the UK in 2021.

Sophie Fiennes’s film of The Four Quartets is neither live capture nor a full adaptation of the play. Instead, Fiennes remarkably documents the theatre production on screen, maintaining all the original lighting and blocking. Her choices of framing and camera movement really puts us in the black box theatre with Ralph Fiennes. Unlike most recorded theatre, where there is a constant sense of information loss, Sophie Fiennes gives us a sense of the theatrical space so we get a better sense of what we’re missing when we’re missing it. It’s built into Sophie Fiennes’s direction.

Sophie Fiennes discusses Ralph Fiennes’s production, the challenges of documenting the play on screen, and how working with Declan Donnellan of Cheek by Jowl just before she shot The Four Quartets changed how she thinks about acting and theatre.

Click here to read the episode show notes.

The show notes also include excerpts from Sophie Fiennes's director's script.

You will also find an AI-generated transcript in the show notes.

Useful links More on creative nonfiction

Download a FREE excerpt from Subjective Realities here.

Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here.

Get your copy of the ebook In their own words: Documentary Masters vol. 1

Become a Member

All of our episodes that are over 6 months old are available to members only.

We also regularly record members only episodes.

To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member.

As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast.

Related Episodes on creative nonfiction

Members Only Episodes

Credits

Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste.

Email us at contact seventh row com.

This episode was edited, produced, and recorded by Alex Heeney.

  continue reading

92 tập

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