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Nội dung được cung cấp bởi Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Beyond the Surface: Embracing Nature's Complexity with Philosopher KEITH FRANKISH

11:11
 
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Manage episode 422859117 series 3288430
Nội dung được cung cấp bởi Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

“One thing I love about living in Crete is that the sense of the presence of nature is always here. I walk out the door and I can see the mountains around the city. I can see the White Mountains (Lefka Ori), which for half the year are covered in snow. I can see the sea. If you walk out in the summer, you're immediately aware of your physicality. You become dehydrated very quickly. It's not necessarily a kind environment for humans. It's not if you engage in any vigorous activity, but it's one that makes you feel vividly alive."

Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of the journal Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.

"The area where I grew up, which is a very low-lying area, in a river valley, it was a landscape where nature felt very dormant. The skies would be gray. The landscape would be flat. There was also a lot of human activity in it. Canals, railway lines, coal mines. It was a land that felt as if it had been depressed, as if it had not been allowed to express itself somehow. And it's been carved up into fields and so on by humans.

And so now here, it's the opposite. Although there is a lot of building in the particularly tourist areas, drive five minutes out of the city, and you're in a land of rugged land with almost desert in places. A land where you couldn't survive very long without proper water, in particular. It's a land where you feel the presence. And, also, another thing you feel here is periods of frequent earthquakes, and that again, is quite a salutary thing. When the Earth shakes like that, and you suddenly realize that this building, which seems wonderfully strong and well-equipped, is suddenly moving from side to side under Poseidon's influence. It makes you see how people could animate this landscape. It's a landscape that feels animated with presences, with gods, with non-human entities. There's a way of living, which involves engaging more deeply with the meaning of things, engaging not just living life on the surface, but trying to look for the deeper, for the real patterns, and living with that, not without pleasure, not without relishing life, but with relishing it for its complexity.”

www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42
www.imprint.co.uk/product/illusionism

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

303 tập

Artwork
iconChia sẻ
 
Manage episode 422859117 series 3288430
Nội dung được cung cấp bởi Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Mia Funk and Environmental Solutions · One Planet Podcast · Creative Process Original Series hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

“One thing I love about living in Crete is that the sense of the presence of nature is always here. I walk out the door and I can see the mountains around the city. I can see the White Mountains (Lefka Ori), which for half the year are covered in snow. I can see the sea. If you walk out in the summer, you're immediately aware of your physicality. You become dehydrated very quickly. It's not necessarily a kind environment for humans. It's not if you engage in any vigorous activity, but it's one that makes you feel vividly alive."

Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of the journal Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.

"The area where I grew up, which is a very low-lying area, in a river valley, it was a landscape where nature felt very dormant. The skies would be gray. The landscape would be flat. There was also a lot of human activity in it. Canals, railway lines, coal mines. It was a land that felt as if it had been depressed, as if it had not been allowed to express itself somehow. And it's been carved up into fields and so on by humans.

And so now here, it's the opposite. Although there is a lot of building in the particularly tourist areas, drive five minutes out of the city, and you're in a land of rugged land with almost desert in places. A land where you couldn't survive very long without proper water, in particular. It's a land where you feel the presence. And, also, another thing you feel here is periods of frequent earthquakes, and that again, is quite a salutary thing. When the Earth shakes like that, and you suddenly realize that this building, which seems wonderfully strong and well-equipped, is suddenly moving from side to side under Poseidon's influence. It makes you see how people could animate this landscape. It's a landscape that feels animated with presences, with gods, with non-human entities. There's a way of living, which involves engaging more deeply with the meaning of things, engaging not just living life on the surface, but trying to look for the deeper, for the real patterns, and living with that, not without pleasure, not without relishing life, but with relishing it for its complexity.”

www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42
www.imprint.co.uk/product/illusionism

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

303 tập

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