Artwork

Nội dung được cung cấp bởi Sam Hughes. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Sam Hughes hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Matt Morton -Composer (APOLLO 11, The Last Steps, Dinosaur 13)

55:21
 
Chia sẻ
 

Manage episode 253531583 series 1932397
Nội dung được cung cấp bởi Sam Hughes. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Sam Hughes hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

(TSAP S03E02)

Sam chats with composer, Matt Morton about his career so far and working on the incredible documentary APOLLO 11 that uses archival footage to look at the Apollo 11 mission to land on the moon led by commander Neil Armstrong and pilots Buzz Aldrin and Michael Collins.
"When Matt Morton first learned he’d been given the opportunity to score NEON's documentary Apollo 11, his first thoughts were, how can I put such a momentous event in our nation’s history into music, and how can I make my attempt unique? The score the composer created went on to win him a 2019Critics’ Choice Documentary Award. The documentary only uses archival footage from the 1969 mission to the moon, so Morton deliberately decided to only use sounds and instrumentation that existed during that era, but still set out to make the music sound futuristic. The synthesizer was born in the 1960s, which the composer utilized heavily, to create an avant-garde sound.
“I looked at my music as being able to play the role of bridging the gap between 2019 and 1969. Even though I’m using dated instruments, I think it comes off as a bridge to modern people because I’m using modern musical idioms to communicate with them,” says Matt.
A distinct symbolic element that Morton included in a cue was a chopped-up sonogram clip of his niece’s heartbeat, which he says is a reminder to our currently divided nation that we possess the ability to triumph, when we choose to unite.
Please let me know if you might be interested in speaking with Matt Morton about his unique approach to scoring the historic Apollo 11 mission.
Listen the soundtrack: https://open.spotify.com/album/0Ck9i5FzBL19lNke88zDYw"
Special thanks to Callum Tennick for editing.

Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.

This episode and so much more at: www.thesoundarchitect.co.uk

Twitter: @SoundDesignUK

Facebook: facebook.com/thesoundarchitect.co.uk

Instagram: thesoundarchitectofficial

Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter

--- Send in a voice message: https://podcasters.spotify.com/pod/show/thesoundarchitect/message
  continue reading

67 tập

Artwork
iconChia sẻ
 
Manage episode 253531583 series 1932397
Nội dung được cung cấp bởi Sam Hughes. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Sam Hughes hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

(TSAP S03E02)

Sam chats with composer, Matt Morton about his career so far and working on the incredible documentary APOLLO 11 that uses archival footage to look at the Apollo 11 mission to land on the moon led by commander Neil Armstrong and pilots Buzz Aldrin and Michael Collins.
"When Matt Morton first learned he’d been given the opportunity to score NEON's documentary Apollo 11, his first thoughts were, how can I put such a momentous event in our nation’s history into music, and how can I make my attempt unique? The score the composer created went on to win him a 2019Critics’ Choice Documentary Award. The documentary only uses archival footage from the 1969 mission to the moon, so Morton deliberately decided to only use sounds and instrumentation that existed during that era, but still set out to make the music sound futuristic. The synthesizer was born in the 1960s, which the composer utilized heavily, to create an avant-garde sound.
“I looked at my music as being able to play the role of bridging the gap between 2019 and 1969. Even though I’m using dated instruments, I think it comes off as a bridge to modern people because I’m using modern musical idioms to communicate with them,” says Matt.
A distinct symbolic element that Morton included in a cue was a chopped-up sonogram clip of his niece’s heartbeat, which he says is a reminder to our currently divided nation that we possess the ability to triumph, when we choose to unite.
Please let me know if you might be interested in speaking with Matt Morton about his unique approach to scoring the historic Apollo 11 mission.
Listen the soundtrack: https://open.spotify.com/album/0Ck9i5FzBL19lNke88zDYw"
Special thanks to Callum Tennick for editing.

Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.

This episode and so much more at: www.thesoundarchitect.co.uk

Twitter: @SoundDesignUK

Facebook: facebook.com/thesoundarchitect.co.uk

Instagram: thesoundarchitectofficial

Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter

--- Send in a voice message: https://podcasters.spotify.com/pod/show/thesoundarchitect/message
  continue reading

67 tập

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