Twelfth Night REPERTORY Presentation (Pt 2) with Sara Mountjoy-Pepka, Garrett Botts, and Michele Schultz, with Elizabeth Swain directing

The Working Actor's Journey

For today’s episode, we’re bringing you the second half of the Repertory workshop featuring Shakespeare’s Twelfth Night

In the fist scene: Viola (as Cesario), is on her way to see Olivia, and encounters first the Fool Feste and then Sir Toby and Sir Andrew. Olivia, meeting Cesario, sends the others away and declares her love.

Then in our second scene - Malvolio, who (according to the mischievous letter he received) is dressed with yellow stockings and is smiling grotesquely, appears before an astonished Olivia. Thinking him insane, Olivia puts him in the care of Sir Toby, who decides to treat him as a madman by having him bound and put in a dark room. Toby also decides to deliver Sir Andrew’s challenge to Cesario in person in order to force the two of them into a duel. Terrified, they prepare to fight.

Our cast includes...

Act 3, Sc 1: FESTE – Garrett Botts VIOLA – Sara Mountjoy-Pepka OLIVIA – Michele Schultz SIR TOBY – Jamal Douglas SIR ANDREW – Janet Greaves

Act 3, Sc 4: VIOLA – Michele Schultz OLIVIA – Sara Mountjoy-Pepka MARIA – Erika Rolfsrud MALVOLIO and SIR ANDREW – Janet Greaves SIR TOBY – Jamal Douglas FABIAN – Garrett Botts

DIRECTOR: Elizabeth Swain

DRAMATURGS: Gideon Rappaport and Philippa Kelly

VOICE COACHES: Ursula Meyer and Scott Ferrara.

Prefer to watch the session? Find it here on YouTube!

Join us for Comedy of Manners in the Rehearsal Room ONLINE with director Brendon Fox - sessions begin February 3rd!

Registration for Actors open through Sunday, January 23rd - grab your spot here. Plenty of room for virtual audience too.

---

Get your copy of "10 Ways to Stop Worrying and Start Working!"

See additional content on Facebook, Twitter, Instagram, and YouTube.

---

The WAJ podcast is designed to show you HOW the work is done, WHAT the realities of the working actor life are like, and to share all the different ways actors have come to this career. There is no one path and no single answer. We want to learn from all of those further down the road, to shorten the learning curve and to discover what helps and what doesn’t when it comes to having a lifelong career as an actor.