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Nội dung được cung cấp bởi Pierre d'Alancaisez. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Pierre d'Alancaisez hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.
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Julian Stallabrass: Killing for Show

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Manage episode 351197962 series 3431530
Nội dung được cung cấp bởi Pierre d'Alancaisez. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Pierre d'Alancaisez hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Killing for Show
Photography, War, and the Media in Vietnam and Iraq

Julian Stallabrass

Published by Rowman & Littlefield, 2020
ISBN 9781538141809

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.

Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.

Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.

Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art.

*************

Find many more interviews, projects, and my writing at https://petitpoi.net/
You can sign up for my newsletter at https://petitpoi.net/newsletter/
Support my work: https://petitpoi.net/support/

  continue reading

55 tập

Artwork
iconChia sẻ
 
Manage episode 351197962 series 3431530
Nội dung được cung cấp bởi Pierre d'Alancaisez. Tất cả nội dung podcast bao gồm các tập, đồ họa và mô tả podcast đều được Pierre d'Alancaisez hoặc đối tác nền tảng podcast của họ tải lên và cung cấp trực tiếp. Nếu bạn cho rằng ai đó đang sử dụng tác phẩm có bản quyền của bạn mà không có sự cho phép của bạn, bạn có thể làm theo quy trình được nêu ở đây https://vi.player.fm/legal.

Killing for Show
Photography, War, and the Media in Vietnam and Iraq

Julian Stallabrass

Published by Rowman & Littlefield, 2020
ISBN 9781538141809

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.

Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.

Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.

Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art.

*************

Find many more interviews, projects, and my writing at https://petitpoi.net/
You can sign up for my newsletter at https://petitpoi.net/newsletter/
Support my work: https://petitpoi.net/support/

  continue reading

55 tập

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