Manage episode 292298996 series 2778744
Literary horror icon Brian Evenson is on the show! We talk about: the uncanny psychogeography of Utah, religious text & parables, writing as a replacement for spirituality, Brian’s philosophical approach, the machinations of Dark Properties, Michael Gira’s The Consumer, the trancelike intensity of the Soundtrack for the Blind by the Swans, Sunn O))), and Pierre Guyotat's writing, Deleuze and Guattari, the Evensonesque aesthetic and trajectory, our loss of agency to technology, distortion/blur, the appeal of invoking destabilization, Immobility, the relationship between the mode of horror and mood, being a mentor, comfort listening....
“There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson.” —George Saunders
“Missing persons, paranoia and psychosis . . . the kind of writer who leads you into the labyrinth, then abandons you there. It’s hard to believe a guy can be so frightening, so consistently.” —New York Times
Brian Evenson is the author of over a dozen works of fiction. He has received three O. Henry Prizes for his fiction. His most recent book, Song for the Unraveling of the World, won a Shirley Jackson Award and was a finalist for both the Los Angeles Times Ray Bradbury Prize for Science Fiction, Fantasy, and Speculative Fiction and the Balcones Fiction Prize. He lives in Los Angeles and teaches at CalArts.
THE GLASSY, BURNING FLOOR OF HELL comes out in August 2021 by Coffee House Press - preorder here.
A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men―of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling suspense.
Theme music by Joseph E. Martinez of Junius
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